Cream Juice ~ Self Titled Cassette

If, in some alternate reality, synths and home recording equipment were as accessible to mid-70s punks as they are today, it’s a safe-ish bet to imagine some kids leaving the guitars with the noisy boys at the local hall and having a go at emulating Tangerine Dream in the privacy of their bedrooms. It’s an equally safe-ish bet that the results would have sounded like the debut work of Cream Juice (not a name I’d suggest you Google at work!).

This pragmatically-titled cassette is where punk meets prog synths. At certain moments it is clearly channelling its krautrock antecedents but is at times sloppy and loose in the way the Germans would never have tolerated. This is, on the whole, a good thing – there’s a pleasing lack of self-editing and there seems little attempt to impose any rules and regulations. They honour their errors as hidden intentions, to borrow a phrase from Eno. Occasionally it blends beautifully (Tracks 7 and 13 are the most successful here), but even when it doesn’t there is plenty going on to hold the interest.

The duo of Keith Rankin (Giant Claw) and Seth Graham (aka Henry Dawson) clearly don’t match some of their peers (such as Jonas Reinhardt) for the purity of their take on synth-based krautrock, and their full immersion in the genre. But this means that their work is fresher and more exciting – and certainly wittier – than their contemporaries.   Perhaps, even more importantly, Cream Juice carries with it a sense of fun.  Remember that?  (Jeremy Bye)


Available here

One comment

  1. Kevin Greenspon's avatar

    Nice review, I think you nailed a point I think is very important here. I’ve always felt underground/DIY takes on various musical styles such as this as a sort of democratic opportunity where more people have the chance to try their hand and create something, and it’s very necessary in both the expansion and further development of genres and aesthetics. I actually released an album for Keith’s other project Giant Claw more recently and think you may find it a bit more focused in that it all works together as a cohesive album with a rising and falling nature not unlike a pop record.. though the sound is a bit of a cry from that!

    Feel free to shoot me an email, I’d be glad to share some stuff that you may find interesting:
    http://www.bridgetownrecords.info

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