Matteo Stella ~ Radeche Fonne
Matteo Stella’s Radeche Fonne resists the pastoral temptation that often shadows music rooted in place. While deeply embedded in the geography and traditions of the Marche region, the album refuses nostalgia, instead exposing the tensions that underlie rural life—its frictions,
Matteo Stella ~ Radeche Fonne
Matteo Stella’s Radeche Fonne resists the pastoral temptation that often shadows music rooted in place. While deeply embedded in the geography and traditions of the Marche region, the album refuses nostalgia, instead exposing the tensions that underlie rural life—its frictions,
Ptastvo ~ The Grit
The Grit is one of the most striking documents to emerge from Ukraine this year. Written from the perspective of a veteran who is now part of a large volunteer force providing support and supplies to active members of the
Ptastvo ~ The Grit
The Grit is one of the most striking documents to emerge from Ukraine this year. Written from the perspective of a veteran who is now part of a large volunteer force providing support and supplies to active members of the
Anastasia Kristensen ~ Bestarium Sombre
Bestarium Sombre is a spiritual successor to Dominic Eulberg’s Mannigfaltig, a clubworthy album on which nearly every track is dedicated to a single species. The big difference is that some of Anastasia Kristensen‘s “dark beasts” are real, while others are imaginary. The
Anastasia Kristensen ~ Bestarium Sombre
Bestarium Sombre is a spiritual successor to Dominic Eulberg’s Mannigfaltig, a clubworthy album on which nearly every track is dedicated to a single species. The big difference is that some of Anastasia Kristensen‘s “dark beasts” are real, while others are imaginary. The
HWXXNG ~ K-Core
What is K-Core? In the hands of DJ HWXXNG (Jaeho Hwang), K-Core deconstructs traditional Korean music and refits it for the modern era. The visual element is important as well, a way to demonstrate that the past has a way
HWXXNG ~ K-Core
What is K-Core? In the hands of DJ HWXXNG (Jaeho Hwang), K-Core deconstructs traditional Korean music and refits it for the modern era. The visual element is important as well, a way to demonstrate that the past has a way
Kreng ~ Wormhole
Eleven years have passed since The Summoner was released, long enough for us to wonder if we’d ever hear from Kreng again. Over the past decade, the artist has been composing for theatre and cinema, which is a perfect pivot given his penchant
Kreng ~ Wormhole
Eleven years have passed since The Summoner was released, long enough for us to wonder if we’d ever hear from Kreng again. Over the past decade, the artist has been composing for theatre and cinema, which is a perfect pivot given his penchant
Johnny Bell ~ Mountain States
When Alabama sings “play me some mountain music,” they express their love for an Appalachian style of banjo-picking, heavily reliant on a narrow canon. Johnny Bell also lives in the mountains, but his range is the Rockies. On Mountain States, Bell seeks
Johnny Bell ~ Mountain States
When Alabama sings “play me some mountain music,” they express their love for an Appalachian style of banjo-picking, heavily reliant on a narrow canon. Johnny Bell also lives in the mountains, but his range is the Rockies. On Mountain States, Bell seeks
Buildings and Food ~ Yutori
Yutori is the Japanese art of slowing down to create room for reflection. Literally translated as “room to breathe” or “spaciousness,” the approach emphasizes the creativity that can arise in moments of calm. The Japanese-Canadian artist Buildings and Food (Jen K. Wilson)
Buildings and Food ~ Yutori
Yutori is the Japanese art of slowing down to create room for reflection. Literally translated as “room to breathe” or “spaciousness,” the approach emphasizes the creativity that can arise in moments of calm. The Japanese-Canadian artist Buildings and Food (Jen K. Wilson)
Filippo Lilli and Ludovica Manzo ~ Abisso
Tackling seminal works can be either brave or reckless, especially when it comes to something as towering as Quartet for the End of Time. Neither an act of quiet courage nor a calculated risk, Filippo Lilli and Ludovica Manzo’s Abisso
Filippo Lilli and Ludovica Manzo ~ Abisso
Tackling seminal works can be either brave or reckless, especially when it comes to something as towering as Quartet for the End of Time. Neither an act of quiet courage nor a calculated risk, Filippo Lilli and Ludovica Manzo’s Abisso