Simon Scott ~ Soundings

Where were you when Slowdive was formed back in 1989?  NOT BORN YET?!!  Thanks a lot, you’ve just made Simon Scott and I feel old.  But there’s a huge difference between old and irrelevant and old and vital, and Scott lands firmly on the

Simon Scott ~ Soundings

Where were you when Slowdive was formed back in 1989?  NOT BORN YET?!!  Thanks a lot, you’ve just made Simon Scott and I feel old.  But there’s a huge difference between old and irrelevant and old and vital, and Scott lands firmly on the

Teeth of the Sea ~ WRAITH

Ten years have passed since Orphaned by the Ocean, and Teeth of the Sea is still going strong.  (Having formed in 2006, the band is now a teenager ~ look out, world!). So why don’t the musicians look happy?  It’s partially due

Teeth of the Sea ~ WRAITH

Ten years have passed since Orphaned by the Ocean, and Teeth of the Sea is still going strong.  (Having formed in 2006, the band is now a teenager ~ look out, world!). So why don’t the musicians look happy?  It’s partially due

Snow Palms ~ Everything Ascending

Here’s a fun one, as Snow Palms returns with a new lineup and a new sound.  At first, Snow Palms was a solo venture for mallet instrumentalist David Sheppard with friends; Origin and Echo made a big impact when it was released in

Snow Palms ~ Everything Ascending

Here’s a fun one, as Snow Palms returns with a new lineup and a new sound.  At first, Snow Palms was a solo venture for mallet instrumentalist David Sheppard with friends; Origin and Echo made a big impact when it was released in

Kate Carr ~The Thing Itself and Not the Myth

The Thing Itself and Not the Myth alludes to a powerful poem by Adrienne Rich called “Diving into the Wreck”, which immerses the reader into the depths of exploratory self-transformation. Kate Carr has named each piece after lines and words

Kate Carr ~The Thing Itself and Not the Myth

The Thing Itself and Not the Myth alludes to a powerful poem by Adrienne Rich called “Diving into the Wreck”, which immerses the reader into the depths of exploratory self-transformation. Kate Carr has named each piece after lines and words

Trio Ramberget ~ Musik att somna till / Gleb Kanasevich ~ Asleep

Sleep and music have an intimately complex relationship. In the last few years, researchers have used music to improve sleep for various groups, from burn victims to PTSD patients; yet the nature of their restorative powers remains a scientific mystery.

Trio Ramberget ~ Musik att somna till / Gleb Kanasevich ~ Asleep

Sleep and music have an intimately complex relationship. In the last few years, researchers have used music to improve sleep for various groups, from burn victims to PTSD patients; yet the nature of their restorative powers remains a scientific mystery.

SP* Episode 1: (PRESENCE, or ) A METAPHYSICS OF ABSENCE – with Resina & Lea Bertucci [podcast]

Sound Propositions the podcast has the same mission statement as the written Sound Propositions features: to share in depth discussions with artists whose work we love, to delve into the details of their creative practice. The inaugural episode of our

SP* Episode 1: (PRESENCE, or ) A METAPHYSICS OF ABSENCE – with Resina & Lea Bertucci [podcast]

Sound Propositions the podcast has the same mission statement as the written Sound Propositions features: to share in depth discussions with artists whose work we love, to delve into the details of their creative practice. The inaugural episode of our

Piano Piano Listening Retreat in Basilicata, Italy

La Cosa Preziosa (Susanna Caprara) is an Italian sound artist based in Dublin, producing soundscapes for performance, radio, and installation. I can enthusiastically recommend her series  ‘The Secret Soundscape Club’,  miniature field-recording soundscapes sent by email, on the last day of

Piano Piano Listening Retreat in Basilicata, Italy

La Cosa Preziosa (Susanna Caprara) is an Italian sound artist based in Dublin, producing soundscapes for performance, radio, and installation. I can enthusiastically recommend her series  ‘The Secret Soundscape Club’,  miniature field-recording soundscapes sent by email, on the last day of