Author Archives: postrockcafe

Cruel Diagonals ~ Fractured Whole

With a stream of highly acclaimed albums already under her belt, Megan Mitchell (Cruel Diagonals) has made an extreme shift on Fractured Whole, resulting in the finest album of her young career.  Every sound, even those that come across as

Cruel Diagonals ~ Fractured Whole

With a stream of highly acclaimed albums already under her belt, Megan Mitchell (Cruel Diagonals) has made an extreme shift on Fractured Whole, resulting in the finest album of her young career.  Every sound, even those that come across as

Rob St. John ~ Örö

Örö is a multi-media extravaganza, another aesthetic triumph from Blackford Hill.  The pack includes an installation film, an artist’s book, a lathe-cut 7″ and an additional hour and 33 minutes of season-based field recordings from the former military island of Örö

Rob St. John ~ Örö

Örö is a multi-media extravaganza, another aesthetic triumph from Blackford Hill.  The pack includes an installation film, an artist’s book, a lathe-cut 7″ and an additional hour and 33 minutes of season-based field recordings from the former military island of Örö

Ozmotic | Fennesz ~ Senzatempo

One day soon we may hear the last of the albums produced during the pandemic, but not yet.  In the physical sense, this period was responsible for a blossoming of music; in the psychological sense, it highlighted the experience of

Ozmotic | Fennesz ~ Senzatempo

One day soon we may hear the last of the albums produced during the pandemic, but not yet.  In the physical sense, this period was responsible for a blossoming of music; in the psychological sense, it highlighted the experience of

Susan Schuppli ~ ICE RECORDS

The simple title bears multiple meanings.  First and foremost, ICE RECORDS is a historical document, a ledger in sound.  Second, by switching the noun to a verb, ice records changes in atmosphere, pressure and temperature: for example, ice cores reveal the extent of

Susan Schuppli ~ ICE RECORDS

The simple title bears multiple meanings.  First and foremost, ICE RECORDS is a historical document, a ledger in sound.  Second, by switching the noun to a verb, ice records changes in atmosphere, pressure and temperature: for example, ice cores reveal the extent of

Violeta Vicci ~ Cavaglia

We are 1750 metres above sea level in the Swiss alpine valley of Cavaglia, Val Poschiavo. Is this where we can hide from this era’s war atrocities? Is this where we can rediscover our kinship with nature and move away

Violeta Vicci ~ Cavaglia

We are 1750 metres above sea level in the Swiss alpine valley of Cavaglia, Val Poschiavo. Is this where we can hide from this era’s war atrocities? Is this where we can rediscover our kinship with nature and move away

GoGo Penguin ~ Everything Is Going to Be OK

The title is calm and reassuring, a salve in savage times.  But the fact that GoGo Penguin is telling us that Everything Is Going to Be OK implies that it is not OK now.  The album itself was born out of heartache, as

GoGo Penguin ~ Everything Is Going to Be OK

The title is calm and reassuring, a salve in savage times.  But the fact that GoGo Penguin is telling us that Everything Is Going to Be OK implies that it is not OK now.  The album itself was born out of heartache, as

Nicola Di Croce ~ Affects and aesthetic speculations

Featuring recordings from Italy, Iceland and Portugal, Affects and aesthetic speculations is an invitation to consider the listener within the sonic environment.  How is one affected by the sounds one hears?  How do human sounds affect the biosphere?  Do listeners acclimate or

Nicola Di Croce ~ Affects and aesthetic speculations

Featuring recordings from Italy, Iceland and Portugal, Affects and aesthetic speculations is an invitation to consider the listener within the sonic environment.  How is one affected by the sounds one hears?  How do human sounds affect the biosphere?  Do listeners acclimate or

Remanence ~ Sepiadrone

Here’s some advice we seldom hear: best played at medium volume.  Remanence (Brian McWilliams, previously covered as Aperus, and John Phipps) also recommend that the music be played at night so the nuances can blend with “the muted atmosphere of a

Remanence ~ Sepiadrone

Here’s some advice we seldom hear: best played at medium volume.  Remanence (Brian McWilliams, previously covered as Aperus, and John Phipps) also recommend that the music be played at night so the nuances can blend with “the muted atmosphere of a