Author Archives: postrockcafe
ACL 2020 ~ The Year’s Best Labels
One of our Labels of the Year didn’t start as a label, but as a festival; another gathered contributions from around the world; the third was unable to publish physical editions during the pandemic, and went digital. In the spirit
ACL 2020 ~ The Year’s Best Labels
One of our Labels of the Year didn’t start as a label, but as a festival; another gathered contributions from around the world; the third was unable to publish physical editions during the pandemic, and went digital. In the spirit
ACL 2020 ~ The Year in Review
When we look back on 2020, we’ll be able to see at least one light in the darkness: musicians stepped up. This was the year in which festivals were cancelled, labels paused all physical production, and musicians recorded – and donated
ACL 2020 ~ The Year in Review
When we look back on 2020, we’ll be able to see at least one light in the darkness: musicians stepped up. This was the year in which festivals were cancelled, labels paused all physical production, and musicians recorded – and donated
Tristan Welch ~ Ambient Distress
If there was a phrase to sum up our collective state of mind in the year 2020, ‘ambient distress’ might be the one – especially for the homebound part of the population on the backlines of the pandemic, stranded on
Tristan Welch ~ Ambient Distress
If there was a phrase to sum up our collective state of mind in the year 2020, ‘ambient distress’ might be the one – especially for the homebound part of the population on the backlines of the pandemic, stranded on
kamau kuru ~ Cafe Culture
When a website is run by a person whose icon is a coffee cup, a coffee-themed release is going to receive immediate attention. This happy mix has the same effect as a strong espresso, and the barista-inspired dialogue clips are
kamau kuru ~ Cafe Culture
When a website is run by a person whose icon is a coffee cup, a coffee-themed release is going to receive immediate attention. This happy mix has the same effect as a strong espresso, and the barista-inspired dialogue clips are
Somatic Responses ~ The Dogma of Function
What should an industrial music label do when good news lands ~ for example, the recent election of an empathetic president or the announcement of two new vaccines? The answer: wait it out. There’s still enough apocalyptic news to go
Somatic Responses ~ The Dogma of Function
What should an industrial music label do when good news lands ~ for example, the recent election of an empathetic president or the announcement of two new vaccines? The answer: wait it out. There’s still enough apocalyptic news to go
Joris Voorn ~ Rotterdam (Global Underground 43)
Global Underground was THE premiere DJ mix series of the late 90s and early 00s, with mixes from Paul Oakenfold, John Digweed, Nick Warren, Sasha and more not only reflecting the club culture of the day, but influencing it. These CDs
Joris Voorn ~ Rotterdam (Global Underground 43)
Global Underground was THE premiere DJ mix series of the late 90s and early 00s, with mixes from Paul Oakenfold, John Digweed, Nick Warren, Sasha and more not only reflecting the club culture of the day, but influencing it. These CDs
Luis Pestana ~ Rosa Pano
Luis Pestana‘s debut is unlike anything else on Orange Milk Records; in fact, it’s like little else on the market. The set unfolds like a radio play, embracing multiple genres and instruments: choirs and church bells, woodwinds and hurdy-gurdy. The
Luis Pestana ~ Rosa Pano
Luis Pestana‘s debut is unlike anything else on Orange Milk Records; in fact, it’s like little else on the market. The set unfolds like a radio play, embracing multiple genres and instruments: choirs and church bells, woodwinds and hurdy-gurdy. The
CORECASS ~ V O I D
Hamburg’s CORECASS (Elinor Lüdde) is impossible to pigeonhole. Her chosen name sounds like that of an industrial act and is similar to that of an established metal band (Carcass). Her template mutates from release to release, encompassing rock, electronics, modern composition, gothic
CORECASS ~ V O I D
Hamburg’s CORECASS (Elinor Lüdde) is impossible to pigeonhole. Her chosen name sounds like that of an industrial act and is similar to that of an established metal band (Carcass). Her template mutates from release to release, encompassing rock, electronics, modern composition, gothic
