Author Archives: postrockcafe
Ian William Craig ~ Thresholder
Ian William Craig holds such a cherished spot in our musical consciousness that it’s a surprise to recall that his first album was released in 2012 ~ coincidentally, the first year of our site. A unique composer with a clearly identifiable
Ian William Craig ~ Thresholder
Ian William Craig holds such a cherished spot in our musical consciousness that it’s a surprise to recall that his first album was released in 2012 ~ coincidentally, the first year of our site. A unique composer with a clearly identifiable
Emilía ~ Spring through a window
Emilía has done it again. The duo who brought us last year’s exquisite EP Down to the Sadness River is back with another melancholic gem. While it may seem out of season in fall, the phrase “spring through a window” refers to the
Emilía ~ Spring through a window
Emilía has done it again. The duo who brought us last year’s exquisite EP Down to the Sadness River is back with another melancholic gem. While it may seem out of season in fall, the phrase “spring through a window” refers to the
Daniel Bjarnason ~ Collider
We’ve been fans of Daniel Bjarnason from the start, and with each new release, he’s continued to cement our initial reaction. Collider is a spectacular album, collecting compositions from the artist’s “American period,” initially written for ensembles in Cincinnati and Los Angeles and
Daniel Bjarnason ~ Collider
We’ve been fans of Daniel Bjarnason from the start, and with each new release, he’s continued to cement our initial reaction. Collider is a spectacular album, collecting compositions from the artist’s “American period,” initially written for ensembles in Cincinnati and Los Angeles and
ACL 2018 ~ Music for Haunted Houses
In 2018, the world reached a tipping point in which scary music is no longer scarier than real life. The old monsters are disappointed; they just can’t compete with the news. This being said, it’s one of our favorite times
ACL 2018 ~ Music for Haunted Houses
In 2018, the world reached a tipping point in which scary music is no longer scarier than real life. The old monsters are disappointed; they just can’t compete with the news. This being said, it’s one of our favorite times
Guybrush ~ Incandenza
Last year, SØVN Records offered us a tape encased in a concrete block; to access the music, one had to break it (or use the download code). This year, designer Le Kutsch returns with a new concept: each of the
Guybrush ~ Incandenza
Last year, SØVN Records offered us a tape encased in a concrete block; to access the music, one had to break it (or use the download code). This year, designer Le Kutsch returns with a new concept: each of the
Lost Tribe Series Launch
Last month we showcased the new subscription series from Lost Tribe Sound. This month, the two premiere releases were unveiled to the public. The first is a lovely collaboration between Gavin Miller and Aaron Martin, and the second is a charity compilation
Lost Tribe Series Launch
Last month we showcased the new subscription series from Lost Tribe Sound. This month, the two premiere releases were unveiled to the public. The first is a lovely collaboration between Gavin Miller and Aaron Martin, and the second is a charity compilation
Jérémie Mathes ~ In[Core]Wat[t]
The Unfathomless label continues its stellar run with a sonic study of Cambodia, courtesy of Jérémie Mathes, who has called the nation home for the past three years. Living in the country of the recording lends this project an authentic tone:
Jérémie Mathes ~ In[Core]Wat[t]
The Unfathomless label continues its stellar run with a sonic study of Cambodia, courtesy of Jérémie Mathes, who has called the nation home for the past three years. Living in the country of the recording lends this project an authentic tone:
Enno Voss ~ Currents
A recent Bud Light ad portrays a commoner in a stockade. His crime: ordering an “autumnal mead.” The tagline: “For the many, not the few.” I sympathize with the commoner, because I’m one of the few; I like things to
Enno Voss ~ Currents
A recent Bud Light ad portrays a commoner in a stockade. His crime: ordering an “autumnal mead.” The tagline: “For the many, not the few.” I sympathize with the commoner, because I’m one of the few; I like things to
