Author Archives: Todd B. Gruel
Slow Heart Music ~ This Body Is Not Me
When was the last time we moseyed through a dream without a worry—when not bushy-tailed prey dodging Id-fanged phantoms stomping, snorting, nipping at our heels—or drifted through a dream without a fancy—when not some hungry hunter foraging for elixirs (sweet
Slow Heart Music ~ This Body Is Not Me
When was the last time we moseyed through a dream without a worry—when not bushy-tailed prey dodging Id-fanged phantoms stomping, snorting, nipping at our heels—or drifted through a dream without a fancy—when not some hungry hunter foraging for elixirs (sweet
Yannick Dauby ~ Wā Jiè Méng Xūn
What’s Amphibia Anura to some, is Salientia to others. If the taxonomy sounds obscure, perhaps their common call may help: “ribbet, ribbet” (or “kreck-ek, kreck-ek,” depending on one’s field guide). Herpetologists rejoice, sound artist Yannick Dauby’s frog-centric album, Wā Jiè
Yannick Dauby ~ Wā Jiè Méng Xūn
What’s Amphibia Anura to some, is Salientia to others. If the taxonomy sounds obscure, perhaps their common call may help: “ribbet, ribbet” (or “kreck-ek, kreck-ek,” depending on one’s field guide). Herpetologists rejoice, sound artist Yannick Dauby’s frog-centric album, Wā Jiè
Noon ~ Disquiet
America, you are fat, famished, and fleeting. Now gloating, now moaning your cabinet shift—Earth’s mantle rumbling four letter words—are we consumed by an age of terror apprised of its errors? Or are we gasping for air earned in appraisal of
Noon ~ Disquiet
America, you are fat, famished, and fleeting. Now gloating, now moaning your cabinet shift—Earth’s mantle rumbling four letter words—are we consumed by an age of terror apprised of its errors? Or are we gasping for air earned in appraisal of
Dan Joseph’s Electroacoustic Works: Birdwatching in Levi’s with John Cage
Who’s Afraid of Electroacoustic Music? prevails as the industry response to electronic-oriented works within the classical music world. When used as a tool by the daily consumer, technology stands unquestioned; but when used as a compositional method by the daring composer,
Dan Joseph’s Electroacoustic Works: Birdwatching in Levi’s with John Cage
Who’s Afraid of Electroacoustic Music? prevails as the industry response to electronic-oriented works within the classical music world. When used as a tool by the daily consumer, technology stands unquestioned; but when used as a compositional method by the daring composer,
a closer listen 