Category Archives: Electronic

Haunted Disco ~ Enter Through The Exit

Haunted Disco is the alias of 19 year old Matthew McMurry. His spirited Enter Through The Exit mixes light rock with dream-pop and experimental music with electronica. Haunting the rather terrifying photograph is a lone figure sketched in black, standing in the doorway

Haunted Disco ~ Enter Through The Exit

Haunted Disco is the alias of 19 year old Matthew McMurry. His spirited Enter Through The Exit mixes light rock with dream-pop and experimental music with electronica. Haunting the rather terrifying photograph is a lone figure sketched in black, standing in the doorway

Department ~ Late Nights

“As soon as I heard jazz, I knew it was the music for me.”  Late Nights is a lovely little tape, a love letter to jazz via electronics and sampling.  The set contains a clear narrative arc, represented by dialogue snippets

Department ~ Late Nights

“As soon as I heard jazz, I knew it was the music for me.”  Late Nights is a lovely little tape, a love letter to jazz via electronics and sampling.  The set contains a clear narrative arc, represented by dialogue snippets

Cooly G ~ Hold Me

Brixton’s Cooly G has, with her Hold Me EP, produced a delectable slab of deep house. Hold Me isn’t just the suggestive flirt on the other side of the bar – it is a demand, the fulfillment of an inner urge that

Cooly G ~ Hold Me

Brixton’s Cooly G has, with her Hold Me EP, produced a delectable slab of deep house. Hold Me isn’t just the suggestive flirt on the other side of the bar – it is a demand, the fulfillment of an inner urge that

Abstractive Noise ~ of the Adder’s Bite

First impressions are everything.  Anja Millen’s cover character is masked and mysterious, intimating a dark and dangerous album.  The title of the album implies a lethal blow.  And while of the Adder’s Bite won’t kill anybody (we hope), it may frighten

Abstractive Noise ~ of the Adder’s Bite

First impressions are everything.  Anja Millen’s cover character is masked and mysterious, intimating a dark and dangerous album.  The title of the album implies a lethal blow.  And while of the Adder’s Bite won’t kill anybody (we hope), it may frighten

Zebrat ~ Fairyland

Beyoncé had a great December.  She released a surprise album, hit #1, gave away money at Walmart, granted the wish of a dying child, and in the fait accompli, received a thank you from Montreal duo Zebrat. It’s all very

Zebrat ~ Fairyland

Beyoncé had a great December.  She released a surprise album, hit #1, gave away money at Walmart, granted the wish of a dying child, and in the fait accompli, received a thank you from Montreal duo Zebrat. It’s all very

sbsst ~ Pillar of Ire

I’m not too familiar with the Electronic music scene in Ottawa. However, from the sounds of Pillar of Ire, a self-released mini-album from sbsst (aka Eric Moore), I’d say folks there are catching up to the lust of their neighbors

sbsst ~ Pillar of Ire

I’m not too familiar with the Electronic music scene in Ottawa. However, from the sounds of Pillar of Ire, a self-released mini-album from sbsst (aka Eric Moore), I’d say folks there are catching up to the lust of their neighbors

Phantom Love ~ Crave For Lust

Phantom Love is the pseudonym of Italian experimental artist Valentina Fanigliulo. Crave For Lust is a dark, shrouded beast that shirks the light. Light, minimal beats echo through to the other side, through the thick fog of reverb. The fangs have just enough

Phantom Love ~ Crave For Lust

Phantom Love is the pseudonym of Italian experimental artist Valentina Fanigliulo. Crave For Lust is a dark, shrouded beast that shirks the light. Light, minimal beats echo through to the other side, through the thick fog of reverb. The fangs have just enough

Electronic Observations 2013 #10

Just scraping within the calendar year, here’s the final Electronic Observations for 2013. Thank you to everyone who has read it, and especially to the artists for making the music. This month’s column is later (and a bit shorter) than

Electronic Observations 2013 #10

Just scraping within the calendar year, here’s the final Electronic Observations for 2013. Thank you to everyone who has read it, and especially to the artists for making the music. This month’s column is later (and a bit shorter) than