Category Archives: Field Recording & Soundscape
rhein_strom ~ von der rheinquelle bis hafen karlsruhe
“Would you recognize a river by its sound?” This is the question posed by Lasse-Marc Riek and Thomas M. Siefert (rhein_strom), but the question is much less interesting than the execution. Why? Because the answer is “no.” Not all rivers
rhein_strom ~ von der rheinquelle bis hafen karlsruhe
“Would you recognize a river by its sound?” This is the question posed by Lasse-Marc Riek and Thomas M. Siefert (rhein_strom), but the question is much less interesting than the execution. Why? Because the answer is “no.” Not all rivers
Christina Kubisch & Eckehard Güther ~ Unter Grund
Many of the water-based recordings we receive are beauty-based, calling to mind vacations by the sea, meditations by the river, the sweetness of summer rain. Christina Kubisch & Eckehard Güther‘s Unter Grund is different: historical, political and metaphorical, it prompts the listener
Christina Kubisch & Eckehard Güther ~ Unter Grund
Many of the water-based recordings we receive are beauty-based, calling to mind vacations by the sea, meditations by the river, the sweetness of summer rain. Christina Kubisch & Eckehard Güther‘s Unter Grund is different: historical, political and metaphorical, it prompts the listener
Taavi Tulev ~ Rand/Beach
To some, Rand/Beach may seem out of season, released in the heart of winter. But when the blinds are closed to the white, and a fire dispels the cold (currently 1F/-17C), the sounds of the shore are evocative, enticing and hopeful.
Taavi Tulev ~ Rand/Beach
To some, Rand/Beach may seem out of season, released in the heart of winter. But when the blinds are closed to the white, and a fire dispels the cold (currently 1F/-17C), the sounds of the shore are evocative, enticing and hopeful.
Joseph Sannicandro ~ a sea without a port
Mexico City always comes up in talks about the largest human populations in the world, and it’s no wonder why – something like 22 million people sharing a common space does already sound like an outlandish 1950’s sci-fi projection of
Joseph Sannicandro ~ a sea without a port
Mexico City always comes up in talks about the largest human populations in the world, and it’s no wonder why – something like 22 million people sharing a common space does already sound like an outlandish 1950’s sci-fi projection of
Giulio Aldinucci ~ Yellow Horse
This is A Closer Listen‘s third review category for sonic chameleon Giulio Aldinucci, who has always operated as a multidisciplinary artist. Yellow Horse is his most unusual work to date, and as such is one of his best. Most people have a junk drawer somewhere
Giulio Aldinucci ~ Yellow Horse
This is A Closer Listen‘s third review category for sonic chameleon Giulio Aldinucci, who has always operated as a multidisciplinary artist. Yellow Horse is his most unusual work to date, and as such is one of his best. Most people have a junk drawer somewhere
Joshua Bonnetta ~ Lago
Lago is an ambitious project, conceived as a companion to Ron Jude’s photographic book of the same name. As the successor to 2014’s Strange Lines and Distances, the LP provides further evidence that Joshua Bonnetta has greater things on his mind than simple field recording.
Joshua Bonnetta ~ Lago
Lago is an ambitious project, conceived as a companion to Ron Jude’s photographic book of the same name. As the successor to 2014’s Strange Lines and Distances, the LP provides further evidence that Joshua Bonnetta has greater things on his mind than simple field recording.
Premiere: Tamara Filyavich ~ return fire
A CLOSER LISTEN is honored to present the online premiere of Tamara Filyavich’s return fire. Tamara Filyavich presents return fire, a soundscape of analogue synthesizer, radio transmission and digital manipulation channeling the events of the Ukrainian revolution of 2013-2014. Filyavich
Premiere: Tamara Filyavich ~ return fire
A CLOSER LISTEN is honored to present the online premiere of Tamara Filyavich’s return fire. Tamara Filyavich presents return fire, a soundscape of analogue synthesizer, radio transmission and digital manipulation channeling the events of the Ukrainian revolution of 2013-2014. Filyavich
Pat Collins and Tadhg O’Sullivan ~ Silence/Sound
Where can one go to find silence ~ or at the very least, to encounter sound free from human interference? This is the topic of Pat Collins‘s 2012 film Silence, which finds an aural reflection here in collaboration with Tadhg O’Sullivan. The original
Pat Collins and Tadhg O’Sullivan ~ Silence/Sound
Where can one go to find silence ~ or at the very least, to encounter sound free from human interference? This is the topic of Pat Collins‘s 2012 film Silence, which finds an aural reflection here in collaboration with Tadhg O’Sullivan. The original
a closer listen 