Category Archives: Rock, Post-Rock, Folk & Jazz

V/A ~ The Holidays Don’t Have to Be So Rotten: Volume Three

And here it is:  The Best Christmas Album of 2012.  For the third year in a row, the fine folks at Flannelgraph Records have filled a basic need: to produce great new music for the holidays.  These playful instrumentals provide

V/A ~ The Holidays Don’t Have to Be So Rotten: Volume Three

And here it is:  The Best Christmas Album of 2012.  For the third year in a row, the fine folks at Flannelgraph Records have filled a basic need: to produce great new music for the holidays.  These playful instrumentals provide

Scott Walker ~ Bish Bosch

Footnotes are useful, and yet, possibly because they are relegated to the bottom of the page, often overlooked – or at least under-appreciated. This is a shame because much can be gleaned from them in order to increase our understanding

Scott Walker ~ Bish Bosch

Footnotes are useful, and yet, possibly because they are relegated to the bottom of the page, often overlooked – or at least under-appreciated. This is a shame because much can be gleaned from them in order to increase our understanding

V/A ~ Qu’allons-nous faire si loin d’ici?

What are we going to do so far from here?  This is the question posed by French post-rocker Julien (My Own True Desire, Atlantic Drop), whose seventeen-track compilation brings new attention to a huge French underground.  We’ve encountered a few

V/A ~ Qu’allons-nous faire si loin d’ici?

What are we going to do so far from here?  This is the question posed by French post-rocker Julien (My Own True Desire, Atlantic Drop), whose seventeen-track compilation brings new attention to a huge French underground.  We’ve encountered a few

Guns of Brixton ~ Inlandsis

Not many bands, let alone post-rock bands, make it to a fourth album.  Guns of Brixton is the exception.  The key to the band’s success is a mixture of influences, beginning with The Clash (who inspired the band’s name and

Guns of Brixton ~ Inlandsis

Not many bands, let alone post-rock bands, make it to a fourth album.  Guns of Brixton is the exception.  The key to the band’s success is a mixture of influences, beginning with The Clash (who inspired the band’s name and

Haiku Salut / Hopeless Local Marching Band

Earlier this year, Japan’s Hopeless Local Marching Band released the wonderful short album Caffeine and Sleeping Pills, which represented a shift to the chapter track: long score-like songs unfolding like books.  This shift happily continues with two new pieces on this split EP,

Haiku Salut / Hopeless Local Marching Band

Earlier this year, Japan’s Hopeless Local Marching Band released the wonderful short album Caffeine and Sleeping Pills, which represented a shift to the chapter track: long score-like songs unfolding like books.  This shift happily continues with two new pieces on this split EP,

Eternal Tapestry ~ A World Out Of Time

For their second full-length of the year Eternal Tapestry ring the changes by recording an album as a conceptual whole, rather than assembling the final work from a bunch of different tapes laid down over time.  It’s not the most

Eternal Tapestry ~ A World Out Of Time

For their second full-length of the year Eternal Tapestry ring the changes by recording an album as a conceptual whole, rather than assembling the final work from a bunch of different tapes laid down over time.  It’s not the most

A Shelter in the Desert ~ Maze of Memories

In the category of “Mexican post-rock”, Wikipedia lists only three bands, while neglecting to name my own personal favorite, The Polar Dream, as well as my new favorite, A Shelter in the Desert.  (Oddly, The Polar Dream’s album is called “Follow

A Shelter in the Desert ~ Maze of Memories

In the category of “Mexican post-rock”, Wikipedia lists only three bands, while neglecting to name my own personal favorite, The Polar Dream, as well as my new favorite, A Shelter in the Desert.  (Oddly, The Polar Dream’s album is called “Follow

Svarta Stugan ~ Svarta Stugan

The Swedish duo Svarta Stugen calls its sound “post-rock/twee noise, a cuter form of noise”.  The definition sounds daft until one listens ~ then it fits.  Their self-titled debut EP begins in typical post-rock fashion, then mutates into something unrecognizable, as if

Svarta Stugan ~ Svarta Stugan

The Swedish duo Svarta Stugen calls its sound “post-rock/twee noise, a cuter form of noise”.  The definition sounds daft until one listens ~ then it fits.  Their self-titled debut EP begins in typical post-rock fashion, then mutates into something unrecognizable, as if