Maria W Horn ~ Epistasis
Where last year’s Kontrapoetik was furious and direct, Epistasis is passionate and exploratory, structured like an ouroboros that in completing its form comes to both an end and a beginning. One depends on the other, the circularity of this mythical
Maria W Horn ~ Epistasis
Where last year’s Kontrapoetik was furious and direct, Epistasis is passionate and exploratory, structured like an ouroboros that in completing its form comes to both an end and a beginning. One depends on the other, the circularity of this mythical
Moss Covered Technology ~ Slow Walking / Wil Bolton ~ Kochi
Since art exists in time, it is unthinkable that it be separate from space. As we become absorbed in the duration of a record, a new space is imagined – or relations with our environment are infinitesimally altered. To some,
Moss Covered Technology ~ Slow Walking / Wil Bolton ~ Kochi
Since art exists in time, it is unthinkable that it be separate from space. As we become absorbed in the duration of a record, a new space is imagined – or relations with our environment are infinitesimally altered. To some,
OHIO ~ Upward, Broken, Always
OHIO the duo is a tribute to Ohio the state. After Taylor Deupree and Corey Fuller discovered that they shared a state of birth, they sealed their geographical bond by recording a thoughtful cover of Damien Jurado’s “Ohio.” The otherwise (mostly) instrumental
OHIO ~ Upward, Broken, Always
OHIO the duo is a tribute to Ohio the state. After Taylor Deupree and Corey Fuller discovered that they shared a state of birth, they sealed their geographical bond by recording a thoughtful cover of Damien Jurado’s “Ohio.” The otherwise (mostly) instrumental
Sound Propositions 017: Gonçalo F Cardoso (Gonzo)
Discrepant label boss Gonçalo F Cardoso explores the noise(s) of his homeland Portugal on Ruído(s), his final work under the Gonzo moniker. One part sonic capriccio, one part subjective dream journal, Ruído(s) is a fitting farewell to Gonzo’s roving audio
Sound Propositions 017: Gonçalo F Cardoso (Gonzo)
Discrepant label boss Gonçalo F Cardoso explores the noise(s) of his homeland Portugal on Ruído(s), his final work under the Gonzo moniker. One part sonic capriccio, one part subjective dream journal, Ruído(s) is a fitting farewell to Gonzo’s roving audio
Meemo Comma ~ Sleepmoss
Sleepmoss is ‘a romantic eulogy to autumn and winter’. The sophomore from Brighton-based producer Lara Rix-Martin, aka Meemo Comma, is now awake, opening up at just the right time, and in the right season. At this time of year,
Meemo Comma ~ Sleepmoss
Sleepmoss is ‘a romantic eulogy to autumn and winter’. The sophomore from Brighton-based producer Lara Rix-Martin, aka Meemo Comma, is now awake, opening up at just the right time, and in the right season. At this time of year,
*Press A* ~ Anodyne 2; Bleak Sword
Sean Han Tani ~ Anodyne 2: Return to Dust The world of Anodyne 2 as described by its soundtrack is an unthreatening one of pastel colours and whimsical encounters. It might even be a dreamworld, such is the haziness of
*Press A* ~ Anodyne 2; Bleak Sword
Sean Han Tani ~ Anodyne 2: Return to Dust The world of Anodyne 2 as described by its soundtrack is an unthreatening one of pastel colours and whimsical encounters. It might even be a dreamworld, such is the haziness of
Ricardo Donoso ~ Re_Calibrate
Re_Calibrate is the counterpart to 2018’s Calibrate, an industrial album that has aged particularly well. The rounded geometrical shapes on the cover have been replaced by angles, but the sense of drama remains intact; if anything, it’s been amplified. This is the
Ricardo Donoso ~ Re_Calibrate
Re_Calibrate is the counterpart to 2018’s Calibrate, an industrial album that has aged particularly well. The rounded geometrical shapes on the cover have been replaced by angles, but the sense of drama remains intact; if anything, it’s been amplified. This is the
Mario Diaz de Leon ~ Cycle and Reveal
There’s a mythical register to Mario Diaz de Leon’s Cycle and Reveal that is hard to explain, but that seems to come from a certain classicism in the overall development of the music. I’m not referring to the inventions of
Mario Diaz de Leon ~ Cycle and Reveal
There’s a mythical register to Mario Diaz de Leon’s Cycle and Reveal that is hard to explain, but that seems to come from a certain classicism in the overall development of the music. I’m not referring to the inventions of
a closer listen 