SP* Episode 2: DANCING ON THE HYPHEN – with Phillip Johnston
Phillip Johnston moved to Australia over a decade ago, but NYC still feels like his home turf. We were both back in town last November for Thanksgiving, and we met to discuss memory, music, media, the (not-so-silent) history of silent
SP* Episode 2: DANCING ON THE HYPHEN – with Phillip Johnston
Phillip Johnston moved to Australia over a decade ago, but NYC still feels like his home turf. We were both back in town last November for Thanksgiving, and we met to discuss memory, music, media, the (not-so-silent) history of silent
Euglossine ~ Coriolis
You know how Pop Art tricks you into thinking it’s very simple while in fact being extremely complex? How all those images of comics expanded into huge canvases allude to certain forms of abstraction, or how those reproductions of publicity
Euglossine ~ Coriolis
You know how Pop Art tricks you into thinking it’s very simple while in fact being extremely complex? How all those images of comics expanded into huge canvases allude to certain forms of abstraction, or how those reproductions of publicity
Old Solar ~ SEE
We can’t remember the last time we heard three great post-rock albums this early in the year. MONO set the bar high, but now we have California’s Wander and North Carolina’s Old Solar to add to our list. We’re overdue, as in
Old Solar ~ SEE
We can’t remember the last time we heard three great post-rock albums this early in the year. MONO set the bar high, but now we have California’s Wander and North Carolina’s Old Solar to add to our list. We’re overdue, as in
Bernard Rands ~ Chains Like the Sea
We love a unified thematic release. Chains Like the Sea places its planets in alignment. Robert Henry Harrison‘s cover art is the entry point. This oil painting, Dylan Thomas Boathouse, is angular yet measured, a taming of wave and architecture, a fluid representation
Bernard Rands ~ Chains Like the Sea
We love a unified thematic release. Chains Like the Sea places its planets in alignment. Robert Henry Harrison‘s cover art is the entry point. This oil painting, Dylan Thomas Boathouse, is angular yet measured, a taming of wave and architecture, a fluid representation
*Press A* ~ Pikuniku, She and the Light Bearer, Fated Era
Masdito Bachtiar, Pathetic Experience & Christabel Annora ~ She and the Light Bearer Hailing from Surabaya, Indonesia, composer Masdito Bachtiar and neo-folk group Pathetic Experience have created an uplifting soundtrack in She and the Light Bearer, full of cute and
*Press A* ~ Pikuniku, She and the Light Bearer, Fated Era
Masdito Bachtiar, Pathetic Experience & Christabel Annora ~ She and the Light Bearer Hailing from Surabaya, Indonesia, composer Masdito Bachtiar and neo-folk group Pathetic Experience have created an uplifting soundtrack in She and the Light Bearer, full of cute and
Žibuoklė Martinaitytė ~ In Search of Lost Beauty …
The latest work from New York-based Lithuanian composer Žibuoklė Martinaitytė is a gorgeous, slowly-building suite that invites listeners to lose track of time. The tracks range from a minute to a quarter hour, but the transitions are virtually invisible: segues
Žibuoklė Martinaitytė ~ In Search of Lost Beauty …
The latest work from New York-based Lithuanian composer Žibuoklė Martinaitytė is a gorgeous, slowly-building suite that invites listeners to lose track of time. The tracks range from a minute to a quarter hour, but the transitions are virtually invisible: segues
Blair Coron ~ On the Nature of Things
Blair Coron‘s full-length debut refuses to stay in the background. A trio of dynamic shifts make the listener sit up and take notice. The first is that the opening track is first softer, then louder than one might expect. The
Blair Coron ~ On the Nature of Things
Blair Coron‘s full-length debut refuses to stay in the background. A trio of dynamic shifts make the listener sit up and take notice. The first is that the opening track is first softer, then louder than one might expect. The
Inverted Microphones: Giovanni Lami’s Tapeocracy #2
The second installment in a new quarterly series dedicated to field recording and inspired by our love of tape culture. (Check out the first installment, with a long preamble from me, here.) This time it’s winter, and Gio’s live mix
Inverted Microphones: Giovanni Lami’s Tapeocracy #2
The second installment in a new quarterly series dedicated to field recording and inspired by our love of tape culture. (Check out the first installment, with a long preamble from me, here.) This time it’s winter, and Gio’s live mix
a closer listen 