Premiere Mix: Cliff Dweller’s “The Golden Days of Radio”
Could this be the year’s most original mix? Spanning five decades, 1935-1985, Cliff Dweller’s “The Golden Days of Radio” is an aural walk through history with a decidedly experimental bent. It’s unlike anything else we’ve heard this year. While reviewing Cliff
Premiere Mix: Cliff Dweller’s “The Golden Days of Radio”
Could this be the year’s most original mix? Spanning five decades, 1935-1985, Cliff Dweller’s “The Golden Days of Radio” is an aural walk through history with a decidedly experimental bent. It’s unlike anything else we’ve heard this year. While reviewing Cliff
cétieu ~ Ceiling Stories
The music of Cétieu flutters lightly against the healthy shade of the sun, taking rest in its presence with a grateful smile and a casual stance. The light touches the green-toned leaves softly with its kind, sunlit palm. Supple drones,
cétieu ~ Ceiling Stories
The music of Cétieu flutters lightly against the healthy shade of the sun, taking rest in its presence with a grateful smile and a casual stance. The light touches the green-toned leaves softly with its kind, sunlit palm. Supple drones,
Cinchel ~ A House Once Lived That Never Was
Jason Shanley (Cinchel) has surprised us once again. The last time we reviewed Cinchel, we encountered quarter-hour drones on limited edition vinyl sealed with green wax. This time out, we find a gorgeous zine and 25 short tracks spanning the
Cinchel ~ A House Once Lived That Never Was
Jason Shanley (Cinchel) has surprised us once again. The last time we reviewed Cinchel, we encountered quarter-hour drones on limited edition vinyl sealed with green wax. This time out, we find a gorgeous zine and 25 short tracks spanning the
Christoph Bruhn ~ Weekends on the Frontier
Fingerstyle guitarist Christoph Bruhn lights up the Twin Ports with his effortless touch and soulful playing. Bruhn has an open tone that’s supple on the surface, but he plays in a way that reflects deeper waters. Bruhn has made the transition from electric
Christoph Bruhn ~ Weekends on the Frontier
Fingerstyle guitarist Christoph Bruhn lights up the Twin Ports with his effortless touch and soulful playing. Bruhn has an open tone that’s supple on the surface, but he plays in a way that reflects deeper waters. Bruhn has made the transition from electric
David Vélez ~ The Wait
“The wait” refers to time spent waiting in the darkness of the Columbian forest, making field recordings and wondering if one is going to be eaten by a jaguar, bitten by a pit viper, squeezed by an anaconda, brushed by
David Vélez ~ The Wait
“The wait” refers to time spent waiting in the darkness of the Columbian forest, making field recordings and wondering if one is going to be eaten by a jaguar, bitten by a pit viper, squeezed by an anaconda, brushed by
James Murray ~ Mount View
In 2012, James Murray released Floods, a metaphorical reaction to annual flooding in the Welsh mountains. A meditation on loss, The Land Bridge, followed in 2013. The deeply personal Mount View completes this trilogy. Quiet and meditative, it still manages to convey a sense
James Murray ~ Mount View
In 2012, James Murray released Floods, a metaphorical reaction to annual flooding in the Welsh mountains. A meditation on loss, The Land Bridge, followed in 2013. The deeply personal Mount View completes this trilogy. Quiet and meditative, it still manages to convey a sense
Geins’t Naït + Laurent Petitgand ~ Je vous dis
When the work of a decades-old recording act still sounds potent, we know that we are in the presence of talent. The post-industrial sounds of Geins’t Naït are balanced here by the modern composition of Laurent Petitgand, to this date best known for his
Geins’t Naït + Laurent Petitgand ~ Je vous dis
When the work of a decades-old recording act still sounds potent, we know that we are in the presence of talent. The post-industrial sounds of Geins’t Naït are balanced here by the modern composition of Laurent Petitgand, to this date best known for his
death’s dynamic shroud.wmv ~ 世界大戦OLYMPICS
1978: the year that gave rise to the Dawn of the Dead. Vaporwave came to life a couple of years later when the 80’s and its glitzy, acidic colour scheme arrived on the scene. Tangerine synths rocked slowly to soft sunsets and
death’s dynamic shroud.wmv ~ 世界大戦OLYMPICS
1978: the year that gave rise to the Dawn of the Dead. Vaporwave came to life a couple of years later when the 80’s and its glitzy, acidic colour scheme arrived on the scene. Tangerine synths rocked slowly to soft sunsets and
