Thee Silver Mt. Zion Memorial Orchestra ~ Fuck Off Get Free We Pour Light On Everything
Throughout a productive 14-year career, Thee Silver Mt. Zion Memorial Orchestra has tested patience and parochial taste. It has pandered to no expectations – least of all, one suspects, its own, rendering it a vehicle for musical exploration that has
Thee Silver Mt. Zion Memorial Orchestra ~ Fuck Off Get Free We Pour Light On Everything
Throughout a productive 14-year career, Thee Silver Mt. Zion Memorial Orchestra has tested patience and parochial taste. It has pandered to no expectations – least of all, one suspects, its own, rendering it a vehicle for musical exploration that has
LCNL 041: Kwaidan Mix
LCNL 041: Kwaidan Mix (mixcloud) Our latest mix is an interesting tour through Blues, drone, avant-garde, and Korean music, representing the influences of the Chicago trio Kwaidan. The band is comprised of Neil Jendon on synths, Mike Weis (of Zelionople),
LCNL 041: Kwaidan Mix
LCNL 041: Kwaidan Mix (mixcloud) Our latest mix is an interesting tour through Blues, drone, avant-garde, and Korean music, representing the influences of the Chicago trio Kwaidan. The band is comprised of Neil Jendon on synths, Mike Weis (of Zelionople),
Troum ~ Mare Morphosis
Pulsating at the core of Mare Morphosis is the drumbeat of life. It is not only a natural, inevitable progression but a constant evolution. Long known for their spacious drone music, Troum are subject to their own evolution whilst sticking closely to
Troum ~ Mare Morphosis
Pulsating at the core of Mare Morphosis is the drumbeat of life. It is not only a natural, inevitable progression but a constant evolution. Long known for their spacious drone music, Troum are subject to their own evolution whilst sticking closely to
Abstractive Noise ~ of the Adder’s Bite
First impressions are everything. Anja Millen’s cover character is masked and mysterious, intimating a dark and dangerous album. The title of the album implies a lethal blow. And while of the Adder’s Bite won’t kill anybody (we hope), it may frighten
Abstractive Noise ~ of the Adder’s Bite
First impressions are everything. Anja Millen’s cover character is masked and mysterious, intimating a dark and dangerous album. The title of the album implies a lethal blow. And while of the Adder’s Bite won’t kill anybody (we hope), it may frighten
Kyle Bobby Dunn ~ Fragments And Compositions Of
Lagging behind, slow, thin orbs of light sigh softly in the stark presence of loneliness. The cloudy headlights give away the location of lost cars, streaking down the highway in an endless blur like falling tears that have nowhere left
Kyle Bobby Dunn ~ Fragments And Compositions Of
Lagging behind, slow, thin orbs of light sigh softly in the stark presence of loneliness. The cloudy headlights give away the location of lost cars, streaking down the highway in an endless blur like falling tears that have nowhere left
Scott Lawlor ~ Jupiter is a Cosmic Vacuum Cleaner
If ambient consists of an environment built and modified, then field recordings consist of an environment interpreted and described – the first has architectural leanings, while the second is more in the spirit of looking at the world as text.
Scott Lawlor ~ Jupiter is a Cosmic Vacuum Cleaner
If ambient consists of an environment built and modified, then field recordings consist of an environment interpreted and described – the first has architectural leanings, while the second is more in the spirit of looking at the world as text.
tarab ~ strata
tarab (Eamon Sprod) describes his work as “careful arrangements of sonic rubbish”, but on his new single-track work, strata, the description is literal. These sounds were all collected in abandoned industrial lots in Melbourne. Factories, storm drains and physical debris color the landscape
tarab ~ strata
tarab (Eamon Sprod) describes his work as “careful arrangements of sonic rubbish”, but on his new single-track work, strata, the description is literal. These sounds were all collected in abandoned industrial lots in Melbourne. Factories, storm drains and physical debris color the landscape
Otto A Totland ~ Pinô
As half of Deaf Center, Otto A Totland is known for producing dark ambience, suffused with a modern compositional bent. Solo album Pinô is an entirely different beast. In fact, one would be hard-pressed to call it a beast; it’s a dust mode, a
Otto A Totland ~ Pinô
As half of Deaf Center, Otto A Totland is known for producing dark ambience, suffused with a modern compositional bent. Solo album Pinô is an entirely different beast. In fact, one would be hard-pressed to call it a beast; it’s a dust mode, a
