Posts Tagged: art
SP* Episode 24: KAKAPHONY – with Maria Chavez [podcast]
Maria Chavez is a pioneer of Abstract Turntablism, a self-described practice she developed under the guidance of Pauline Oliveros‘ Deep Listening. Born in Lima, Peru and raised in Houston, she cut her teeth as a DJ spinning techno and drum
SP* Episode 24: KAKAPHONY – with Maria Chavez [podcast]
Maria Chavez is a pioneer of Abstract Turntablism, a self-described practice she developed under the guidance of Pauline Oliveros‘ Deep Listening. Born in Lima, Peru and raised in Houston, she cut her teeth as a DJ spinning techno and drum
Ten Years of The Tapeworm
This year marks the tenth anniversary of The Tapeworm, the London-based cassette-only label founded by Philip Marshall. In the years since, the label has branched out into The Wormhole, an avenue for experiments with non-tape formats, and The Bookworm, their
Ten Years of The Tapeworm
This year marks the tenth anniversary of The Tapeworm, the London-based cassette-only label founded by Philip Marshall. In the years since, the label has branched out into The Wormhole, an avenue for experiments with non-tape formats, and The Bookworm, their
Robert Curgenven ~ Climata
The border between two spaces both separates and conjoins, allowing for distinction as well as interplay. Depending on one’s perspective this can be understood as a contamination or a vital encounter. The latest from Australian composer Robert Curgenven explores sonic
Robert Curgenven ~ Climata
The border between two spaces both separates and conjoins, allowing for distinction as well as interplay. Depending on one’s perspective this can be understood as a contamination or a vital encounter. The latest from Australian composer Robert Curgenven explores sonic
Giovanni Lami ~ Bias
It’s like a garden, where everything grows by itself and you need to make just a few things, to see what is going to happen most of the time. -Giovanni Lami Does a physical medium simply contain (or mediate) a
Giovanni Lami ~ Bias
It’s like a garden, where everything grows by itself and you need to make just a few things, to see what is going to happen most of the time. -Giovanni Lami Does a physical medium simply contain (or mediate) a
Mutek 2016 ~ Previews and Picks
The 17th edition of MUTEK, Montreal’s esteemed international festival of digital creativity and electronic music, takes place this week running June 1-5. A veritable institution, this year’s festival continues to showcase the best in both established and up-and-coming Canadian
Mutek 2016 ~ Previews and Picks
The 17th edition of MUTEK, Montreal’s esteemed international festival of digital creativity and electronic music, takes place this week running June 1-5. A veritable institution, this year’s festival continues to showcase the best in both established and up-and-coming Canadian
Yves Bouliane ~ Champ (10 opérations)
Champ (10 opérations) is the solo work of a pillar of Montreal’s 1970s free improvisation scene. A skilled improviser, this piece is indeed a composition, recorded in 1977, and stands as a momentous and perplexing document of that time. This
Yves Bouliane ~ Champ (10 opérations)
Champ (10 opérations) is the solo work of a pillar of Montreal’s 1970s free improvisation scene. A skilled improviser, this piece is indeed a composition, recorded in 1977, and stands as a momentous and perplexing document of that time. This
Steve Roden ~ Flower & Water
We last heard from Steve Roden after a string of very good releases in 2012, including collaborations with Steve Peters (Not a leaf…), a beautiful work with Machinefabriek (Lichtung), a split 7” with Luminance Ratio, a reworking of old cassette
Steve Roden ~ Flower & Water
We last heard from Steve Roden after a string of very good releases in 2012, including collaborations with Steve Peters (Not a leaf…), a beautiful work with Machinefabriek (Lichtung), a split 7” with Luminance Ratio, a reworking of old cassette
RADIOFONICA – Nov. 6/7/8/9 (free exhibition and live streaming)
How quickly we forget. How quickly we are to believe our present moment is new, different, incommensurable with the past. This is especially true in our fetishization of new technologies, as even a cursory glance at the recent literature
RADIOFONICA – Nov. 6/7/8/9 (free exhibition and live streaming)
How quickly we forget. How quickly we are to believe our present moment is new, different, incommensurable with the past. This is especially true in our fetishization of new technologies, as even a cursory glance at the recent literature
a closer listen 