Posts Tagged: david murrieta
Zosha Warpeha ~ silver dawn
An old truth runs through the systems of folk musics: art belongs to everyone, and it is never truly made in isolation. Every melody holds a vast, remote knowledge, a singularity expressed in the moment of playing, each musician embodying
Zosha Warpeha ~ silver dawn
An old truth runs through the systems of folk musics: art belongs to everyone, and it is never truly made in isolation. Every melody holds a vast, remote knowledge, a singularity expressed in the moment of playing, each musician embodying
The Feeling of Everything ~ An Interview With Aho Ssan
Aho Ssan is a key player of French experimental music, and has garnered wide international attention for his felt, yet richly philosophical approach to sound assemblage. His last album, Rhizomes, was among our favorite albums of 2023. We talked to
The Feeling of Everything ~ An Interview With Aho Ssan
Aho Ssan is a key player of French experimental music, and has garnered wide international attention for his felt, yet richly philosophical approach to sound assemblage. His last album, Rhizomes, was among our favorite albums of 2023. We talked to
Hieroglyphic Being ~ Quadric Surfaces
A focused light leads our gaze towards a world of colored patterns and moving shapes, as if we were looking through a microscope. The immensity of the fragment comes into view, a vibrant macro-choreography of infinitely small dimensions intertwined. New
Hieroglyphic Being ~ Quadric Surfaces
A focused light leads our gaze towards a world of colored patterns and moving shapes, as if we were looking through a microscope. The immensity of the fragment comes into view, a vibrant macro-choreography of infinitely small dimensions intertwined. New
Of Sound as Memory ~ An Interview With Nyokabi Kariũki
Nyokabi Kariũki has emerged as an exciting new voice in experimental music over the past few years. We will let her do the introductions herself, but it’s worth highlighting the blog she keeps over on her website, where you can
Of Sound as Memory ~ An Interview With Nyokabi Kariũki
Nyokabi Kariũki has emerged as an exciting new voice in experimental music over the past few years. We will let her do the introductions herself, but it’s worth highlighting the blog she keeps over on her website, where you can
*Press A* 2023 ~ The Year’s Best Videogame Soundtracks
In a year full of horror and tragedy, the videogame industry was not spared. Great websites went dark, forcing journalists to move writing homes, and countless studios were shuttered or forced to endure substantial workforce reductions while executives and investors
*Press A* 2023 ~ The Year’s Best Videogame Soundtracks
In a year full of horror and tragedy, the videogame industry was not spared. Great websites went dark, forcing journalists to move writing homes, and countless studios were shuttered or forced to endure substantial workforce reductions while executives and investors
PoiL Ueda ~ Yoshitsune
After sending a tremor through the prog-rock world earlier in the year, PoiL Ueda return with a surprising sequel to their powerfully theatrical montage of the Heike monogatari, an epic from around the 13th century that was foundational to early
PoiL Ueda ~ Yoshitsune
After sending a tremor through the prog-rock world earlier in the year, PoiL Ueda return with a surprising sequel to their powerfully theatrical montage of the Heike monogatari, an epic from around the 13th century that was foundational to early
A Glimpse of the Post-World ~ An Interview With Babe, Terror
Claudio Szynkier is an experimental multi-media artist from São Paulo, Brazil who records music under the names of Babe, Terror and Zpell Hologos. Through sound collage and an archivist’s mindset, he wills together an art of subterranean connections, random encounters in time and
A Glimpse of the Post-World ~ An Interview With Babe, Terror
Claudio Szynkier is an experimental multi-media artist from São Paulo, Brazil who records music under the names of Babe, Terror and Zpell Hologos. Through sound collage and an archivist’s mindset, he wills together an art of subterranean connections, random encounters in time and
Fire-Toolz ~ I am upset because I see something that is not there.
“We’ve lost nothing”, a floating text states within a simulated, 2000s-game-graphics brick building whose modernist layout spells Bauhaus 19th century industrial warehouse. In the video for “It Is Happening Again / Mantra-ing & Golgotha: Double-Bind (Prequel)” our camera-eye transitions seamlessly
Fire-Toolz ~ I am upset because I see something that is not there.
“We’ve lost nothing”, a floating text states within a simulated, 2000s-game-graphics brick building whose modernist layout spells Bauhaus 19th century industrial warehouse. In the video for “It Is Happening Again / Mantra-ing & Golgotha: Double-Bind (Prequel)” our camera-eye transitions seamlessly
a closer listen 