Posts Tagged: Denovali
Blueneck ~ King Nine
Album to album, the sound of Blueneck is hard to predict: instrumental, buried vocal, clear vocal, mix. But the melancholic mix of piano and guitars is constant, as is the level of quality. The new work pushes the band further into the
Blueneck ~ King Nine
Album to album, the sound of Blueneck is hard to predict: instrumental, buried vocal, clear vocal, mix. But the melancholic mix of piano and guitars is constant, as is the level of quality. The new work pushes the band further into the
Pan & Me ~ Ocean Noise
Ocean Noise is a much quieter project than its predecessor, Paal. Four years have passed since Christophe Mevel (Pan & Me) stepped out from the shadow of The Dale Cooper Quartet & The Dictaphones, and in that time he’s deepened his sonic
Pan & Me ~ Ocean Noise
Ocean Noise is a much quieter project than its predecessor, Paal. Four years have passed since Christophe Mevel (Pan & Me) stepped out from the shadow of The Dale Cooper Quartet & The Dictaphones, and in that time he’s deepened his sonic
Matthew Collings ~ Silence Is A Rhythm Too
Last year we reviewed Matthew Collings‘ Splintered Instruments, which is being re-released on Denovali along with the current album. The instrumentation is even stronger this time around, highlighted by a brass ensemble and string quartet, and the vocals have been dropped. While
Matthew Collings ~ Silence Is A Rhythm Too
Last year we reviewed Matthew Collings‘ Splintered Instruments, which is being re-released on Denovali along with the current album. The instrumentation is even stronger this time around, highlighted by a brass ensemble and string quartet, and the vocals have been dropped. While
Bruno Sanfilippo ~ ClarOscuro
The phrase that comes to mind while watching Bruno Sanfilippo play the piano is “deceptively simple”. One thinks, “that doesn’t look so hard”. Then the right hand moves up an octave, the playing grows more complex, and one’s initial impression is revised.
Bruno Sanfilippo ~ ClarOscuro
The phrase that comes to mind while watching Bruno Sanfilippo play the piano is “deceptively simple”. One thinks, “that doesn’t look so hard”. Then the right hand moves up an octave, the playing grows more complex, and one’s initial impression is revised.
Video Premiere: Petrels/Nicholas Mortimer ~ “Attica 22 b/Katharina 22 b”
The new video is called “Attica 22 b”, and features the expansive Petrels track “Katharina 22 b”, from 2014’s Mima (reviewed here). As fans of Petrels and the Denovali label, we are overjoyed to share the premiere of Nicholas Mortimer‘s video!
Video Premiere: Petrels/Nicholas Mortimer ~ “Attica 22 b/Katharina 22 b”
The new video is called “Attica 22 b”, and features the expansive Petrels track “Katharina 22 b”, from 2014’s Mima (reviewed here). As fans of Petrels and the Denovali label, we are overjoyed to share the premiere of Nicholas Mortimer‘s video!
Denovali Swingfest London 2014 ~ Day Two
Logistics precluded my attendance at the first day of Denovali’s second spring takeover of London’s east end, but for me the smaller-scale second day over the Easter weekend promised the festival’s highlights anyway. Set in the welcoming intimacy of Café
Denovali Swingfest London 2014 ~ Day Two
Logistics precluded my attendance at the first day of Denovali’s second spring takeover of London’s east end, but for me the smaller-scale second day over the Easter weekend promised the festival’s highlights anyway. Set in the welcoming intimacy of Café
The Alvaret Ensemble, Kira Kira, Eiríkur Orri Ólafsson, Ingi Garðar Erlendsson, Borgar Magnason ~ Skeylja
Jonsi may have popularized the invented language in modern music, but he hasn’t cornered the market. Just ask Jan Kleefstra, whose Frisian dialect crashes head-first into Icelandic on Skeylja. The title itself is a blend of the Frisian Skylge (Terschelling, one of the
The Alvaret Ensemble, Kira Kira, Eiríkur Orri Ólafsson, Ingi Garðar Erlendsson, Borgar Magnason ~ Skeylja
Jonsi may have popularized the invented language in modern music, but he hasn’t cornered the market. Just ask Jan Kleefstra, whose Frisian dialect crashes head-first into Icelandic on Skeylja. The title itself is a blend of the Frisian Skylge (Terschelling, one of the
Origamibiro ~ Odham’s Standard
Fresh on the heels of their recent Denovali box set, Origamibiro returns with an all-new collection influenced by spirit photography and EVP. Odham’s Standard continues to blend of traditional and found instrumentation, but adds a twist: this time around, the listener attempts to
Origamibiro ~ Odham’s Standard
Fresh on the heels of their recent Denovali box set, Origamibiro returns with an all-new collection influenced by spirit photography and EVP. Odham’s Standard continues to blend of traditional and found instrumentation, but adds a twist: this time around, the listener attempts to