Posts Tagged: Dragon’s Eye
Fortresses presents Near Inspirations [mix]
Fortresses is Sam Ashton, a London-based ambient artist who brought us last year’s Eve Inspirations, a delicate mix blending some of the influences that went into Eve, his debut EP for Yann Novak’s Dragon’s Eye Recordings. Fortresses returns to Dragon’s Eye
Fortresses presents Near Inspirations [mix]
Fortresses is Sam Ashton, a London-based ambient artist who brought us last year’s Eve Inspirations, a delicate mix blending some of the influences that went into Eve, his debut EP for Yann Novak’s Dragon’s Eye Recordings. Fortresses returns to Dragon’s Eye
Fortresses presents Eve Inspirations [mix]
We’re pleased to share a new mix from Sam Ashton, a London based Ambient artist working under the alias Fortresses. That project began with the release of “Spring” in 2020, catching the ear of Yann Novak. Ashton’s debut EP, Eve,
Fortresses presents Eve Inspirations [mix]
We’re pleased to share a new mix from Sam Ashton, a London based Ambient artist working under the alias Fortresses. That project began with the release of “Spring” in 2020, catching the ear of Yann Novak. Ashton’s debut EP, Eve,
Geneva Skeen ~ Dark Speech
Dark Speech is a highly unusual recording for Dragon’s Eye ~ the opening minutes sound like the antithesis of the label’s typical release. With a nearly-industrial rush of sound, Geneva Skeen introduces herself to the masses. Only later will she relent. Vast sheets
Geneva Skeen ~ Dark Speech
Dark Speech is a highly unusual recording for Dragon’s Eye ~ the opening minutes sound like the antithesis of the label’s typical release. With a nearly-industrial rush of sound, Geneva Skeen introduces herself to the masses. Only later will she relent. Vast sheets
Robert Curgenven ~ Climata
The border between two spaces both separates and conjoins, allowing for distinction as well as interplay. Depending on one’s perspective this can be understood as a contamination or a vital encounter. The latest from Australian composer Robert Curgenven explores sonic
Robert Curgenven ~ Climata
The border between two spaces both separates and conjoins, allowing for distinction as well as interplay. Depending on one’s perspective this can be understood as a contamination or a vital encounter. The latest from Australian composer Robert Curgenven explores sonic
ACL 2014: Top Ten Ambient
This year, A Closer Listen continued to receive more ambient music than any other type, over 500 releases in all. The ambient field is so competitive that only the most distinctive releases manage to break through and to form a lasting impression.
ACL 2014: Top Ten Ambient
This year, A Closer Listen continued to receive more ambient music than any other type, over 500 releases in all. The ambient field is so competitive that only the most distinctive releases manage to break through and to form a lasting impression.
Steve Roden ~ Flower & Water
We last heard from Steve Roden after a string of very good releases in 2012, including collaborations with Steve Peters (Not a leaf…), a beautiful work with Machinefabriek (Lichtung), a split 7” with Luminance Ratio, a reworking of old cassette
Steve Roden ~ Flower & Water
We last heard from Steve Roden after a string of very good releases in 2012, including collaborations with Steve Peters (Not a leaf…), a beautiful work with Machinefabriek (Lichtung), a split 7” with Luminance Ratio, a reworking of old cassette
Lawrence English + Stephen Vitiello ~ Fable
We last encountered Lawrence English on the immersive Wilderness of Mirrors, released earlier this year; we last encountered Stephen Vitiello at the New York exhibition “In the Garden of Sonic Delights”. On Fable, the artists join forces for the second time, following 2011’s Acute Inbetweens (Crónica). Each album shares a
Lawrence English + Stephen Vitiello ~ Fable
We last encountered Lawrence English on the immersive Wilderness of Mirrors, released earlier this year; we last encountered Stephen Vitiello at the New York exhibition “In the Garden of Sonic Delights”. On Fable, the artists join forces for the second time, following 2011’s Acute Inbetweens (Crónica). Each album shares a
Electronic Observations 2014 #2
I usually try to highlight new artists to this column, aware that given a mere ten or so reviews per month it’s probably better not to repeat myself. This month, things have fallen out a little differently with several artists
Electronic Observations 2014 #2
I usually try to highlight new artists to this column, aware that given a mere ten or so reviews per month it’s probably better not to repeat myself. This month, things have fallen out a little differently with several artists
a closer listen 