Posts Tagged: Helen Scarsdale Agency
Fossil Aerosol Mining Project ~ The Day 1982 Contaminated 1971
At this time of year, we begin searching for October music: haunted, disconcerting and dark. The Day 1982 Contaminated 1971 nails the mood. Detuned radios, disembodied dialogue and fragments of sound drift down deserted hallways like echoes in an abandoned institution.
Fossil Aerosol Mining Project ~ The Day 1982 Contaminated 1971
At this time of year, we begin searching for October music: haunted, disconcerting and dark. The Day 1982 Contaminated 1971 nails the mood. Detuned radios, disembodied dialogue and fragments of sound drift down deserted hallways like echoes in an abandoned institution.
The Helen Scarsdale Agency: Fire and Ice
“Some say the world will end in fire,” writes Robert Frost, “Some say in ice.” A pair of new albums from The Helen Scarsdale Agency represents both viewpoints: Jim Haynes‘ Scarlet the former, Sigtryggur Berg Sigmarsson‘s So Long the latter. As I write
The Helen Scarsdale Agency: Fire and Ice
“Some say the world will end in fire,” writes Robert Frost, “Some say in ice.” A pair of new albums from The Helen Scarsdale Agency represents both viewpoints: Jim Haynes‘ Scarlet the former, Sigtryggur Berg Sigmarsson‘s So Long the latter. As I write
Murmer ~ What Are The Roots That Clutch
What are the roots that clutch, what branches grow out of this stony rubbish? Son of Man, you cannot say, or guess, for you know only a heap of broken images …. T.S. Eliot’s words ring true in this Wasteland; although the
Murmer ~ What Are The Roots That Clutch
What are the roots that clutch, what branches grow out of this stony rubbish? Son of Man, you cannot say, or guess, for you know only a heap of broken images …. T.S. Eliot’s words ring true in this Wasteland; although the
Helmut Schäfer ~ Thought Provoking III
The most surprising thing about Helmut Schäfer‘s final recording is how accessible it is: an experimental piece that teeters on the edge of modern composition. It’s so different from his “brutalist” output that it’s left to longtime collaborator Zbigniew Karkowski to tackle the
Helmut Schäfer ~ Thought Provoking III
The most surprising thing about Helmut Schäfer‘s final recording is how accessible it is: an experimental piece that teeters on the edge of modern composition. It’s so different from his “brutalist” output that it’s left to longtime collaborator Zbigniew Karkowski to tackle the
Richard Garet ~ Areal
Few artists ever attempt the single track, album length release, and fewer still manage to succeed. Richard Garet is the exception to the rule, as proven by last season’s Decentering and this season’s Areal. The key to Garet’s success is sonic variety; this music
Richard Garet ~ Areal
Few artists ever attempt the single track, album length release, and fewer still manage to succeed. Richard Garet is the exception to the rule, as proven by last season’s Decentering and this season’s Areal. The key to Garet’s success is sonic variety; this music
a closer listen 