Posts Tagged: Jeremy Bye

A Closer Listen’s Favorite Fall Albums

Thanks to climate change, autumn arrives later than ever before; but by now, the leaves are changing and in many cases falling everywhere across the Northern Hemisphere; flocks of birds are flying overhead, and a chill rests in the evening

A Closer Listen’s Favorite Fall Albums

Thanks to climate change, autumn arrives later than ever before; but by now, the leaves are changing and in many cases falling everywhere across the Northern Hemisphere; flocks of birds are flying overhead, and a chill rests in the evening

Sarah Davachi ~ The Head As Form’d In The Crier’s Choir

Our review of Two Sisters, Sarah Davachi’s 2022 album, compared the listening experience to going to church. It’s a similar feeling playing her latest release, except possibly on a grander scale, akin to finding a pew in an ancient cathedral

Sarah Davachi ~ The Head As Form’d In The Crier’s Choir

Our review of Two Sisters, Sarah Davachi’s 2022 album, compared the listening experience to going to church. It’s a similar feeling playing her latest release, except possibly on a grander scale, akin to finding a pew in an ancient cathedral

Jessica Pavone ~ Clamor

Every day is a school day at A Closer Listen, mainly thanks to the sleeve notes and press releases for the albums sent to us. A few artists opt for numeric track listings and minimal explanation behind the work, allowing

Jessica Pavone ~ Clamor

Every day is a school day at A Closer Listen, mainly thanks to the sleeve notes and press releases for the albums sent to us. A few artists opt for numeric track listings and minimal explanation behind the work, allowing

Flora Yin Wong ~ Cold Reading

It may have been a mere coincidence of the calendar that saw Flora Yin Wong release her second album within a few days of Halloween, but if a record captured the spirit of the spooky season this year, then it

Flora Yin Wong ~ Cold Reading

It may have been a mere coincidence of the calendar that saw Flora Yin Wong release her second album within a few days of Halloween, but if a record captured the spirit of the spooky season this year, then it

Matthew Halsall ~ An Ever Changing View

As the title and cover art suggest, Matthew Halsall’s ninth album celebrates a subtle change in approach to his music. In contrast to much of his earlier work, he didn’t write this album in his studio in Manchester but in

Matthew Halsall ~ An Ever Changing View

As the title and cover art suggest, Matthew Halsall’s ninth album celebrates a subtle change in approach to his music. In contrast to much of his earlier work, he didn’t write this album in his studio in Manchester but in

SP* Episode 29: CRITICAL POSITIVITY – with ACL [podcast]

Happy (very belated) birthday to us! Back in January of 2022 we celebrated the tenth anniversary of our blog. To celebrate, in this episode, we pull the curtain back a bit to talk with ten of the writers who have

SP* Episode 29: CRITICAL POSITIVITY – with ACL [podcast]

Happy (very belated) birthday to us! Back in January of 2022 we celebrated the tenth anniversary of our blog. To celebrate, in this episode, we pull the curtain back a bit to talk with ten of the writers who have

The Best Film & TV Soundtracks of All Time ~ Part Two

Welcome back to Part Deux of our list of the Best Film & TV Soundtracks of All Time! We hope you liked the first half; it’s worth a look over there to start if this is your first visit. One

The Best Film & TV Soundtracks of All Time ~ Part Two

Welcome back to Part Deux of our list of the Best Film & TV Soundtracks of All Time! We hope you liked the first half; it’s worth a look over there to start if this is your first visit. One

The Best Film & TV Soundtracks of All Time ~ Part One

“Remove [the] score from any scene, and it becomes nearly unrecognizable. Something has instantaneously and fundamentally gone, like the soul of the piece.” JJ Abrams said this about John Williams’ work on Star Wars, but it’s equally applicable to the

The Best Film & TV Soundtracks of All Time ~ Part One

“Remove [the] score from any scene, and it becomes nearly unrecognizable. Something has instantaneously and fundamentally gone, like the soul of the piece.” JJ Abrams said this about John Williams’ work on Star Wars, but it’s equally applicable to the