Posts Tagged: Lost Tribe Sound
ACL 2024 ~ The Year’s Best Album Covers
A great album cover catches the viewer’s attention in a crowded field. A great album cover makes one want – no, need to hear the music. A great album cover is a visual reflection of the sonic contents. A great album
ACL 2024 ~ The Year’s Best Album Covers
A great album cover catches the viewer’s attention in a crowded field. A great album cover makes one want – no, need to hear the music. A great album cover is a visual reflection of the sonic contents. A great album
ACL 2024 ~ The Year’s Best Packaging
There’s something special about a physical release ~ the package arriving in the mail (or if one is fortunate, purchased from a shoppe); full-sized art to appreciate, liner notes to pore over; the scent of new vinyl, the pops and
ACL 2024 ~ The Year’s Best Packaging
There’s something special about a physical release ~ the package arriving in the mail (or if one is fortunate, purchased from a shoppe); full-sized art to appreciate, liner notes to pore over; the scent of new vinyl, the pops and
Arrowounds ~ Burial Trances of the Tentacled Set
For over a year, we’ve been enjoying the installments of Arrowounds’ Therianthrope Series as they’ve been released; the initial installment even appeared on our Best Album Covers list. Now that the entire project is available as a four-CD box set, one
Arrowounds ~ Burial Trances of the Tentacled Set
For over a year, we’ve been enjoying the installments of Arrowounds’ Therianthrope Series as they’ve been released; the initial installment even appeared on our Best Album Covers list. Now that the entire project is available as a four-CD box set, one
ACL 2023 ~ Top Ten Ambient
By our estimate, there was enough ambient music released in 2023 to fill every waking minute of every day. How does one stand out in a genre that values slipping beneath the surface? These ten artists found a way, whether
ACL 2023 ~ Top Ten Ambient
By our estimate, there was enough ambient music released in 2023 to fill every waking minute of every day. How does one stand out in a genre that values slipping beneath the surface? These ten artists found a way, whether
ACL 2023 ~ The Year’s Best Album Covers
How important are album covers? While no one has the time to listen to all the new music being released, everyone has time to look through the covers. In the old days, they would be on display at a music
ACL 2023 ~ The Year’s Best Album Covers
How important are album covers? While no one has the time to listen to all the new music being released, everyone has time to look through the covers. In the old days, they would be on display at a music
From the Mouth of the Sun ~ Valley of the Hummingbirds
Our second Lost Tribe Sound review in two days, Valley of the Hummingbirds is a piece of the label’s series Maps to Where the Poison Grows, along with Claire Deak’s Sotto Voice and nine other discs, all set for release this year. When
From the Mouth of the Sun ~ Valley of the Hummingbirds
Our second Lost Tribe Sound review in two days, Valley of the Hummingbirds is a piece of the label’s series Maps to Where the Poison Grows, along with Claire Deak’s Sotto Voice and nine other discs, all set for release this year. When
Claire Deak ~ Sotto Voce
Claire Deak first appeared on our site with the old capital, a 2020 collaboration with Tony Dupé that was released on nearly the same date as Sotto Voce. Like that album, this one seems well-suited for October. Deak again plays
Claire Deak ~ Sotto Voce
Claire Deak first appeared on our site with the old capital, a 2020 collaboration with Tony Dupé that was released on nearly the same date as Sotto Voce. Like that album, this one seems well-suited for October. Deak again plays
William Ryan Fritch ~ Polarity
Polarity is a different but no less engaging album from William Ryan Fritch, the first of a trilogy addressing the planet’s water crisis. Fritch’s experimental and electronic tendencies come to the fore, eclipsing his orchestral bent (although it remains evident in
William Ryan Fritch ~ Polarity
Polarity is a different but no less engaging album from William Ryan Fritch, the first of a trilogy addressing the planet’s water crisis. Fritch’s experimental and electronic tendencies come to the fore, eclipsing his orchestral bent (although it remains evident in
a closer listen 