Posts Tagged: Lost Tribe Sound
William Ryan Fritch ~ The Letdown
As the first album in Lost Tribe Sound’s new series Built Upon a Fearful Void, The Letdown is anything but. It’s also the first William Ryan Fritch album that doesn’t sound like William Ryan Fritch, which is quite an accomplishment given the fact that
William Ryan Fritch ~ The Letdown
As the first album in Lost Tribe Sound’s new series Built Upon a Fearful Void, The Letdown is anything but. It’s also the first William Ryan Fritch album that doesn’t sound like William Ryan Fritch, which is quite an accomplishment given the fact that
Lost Tribe Sound ~ Fearful Void Series
Our Label of the Year in 2019 returns with a vengeance in 2020. One would think that the title Fearful Void was a response to the current crisis, but it has actually been in the works for years. The same label that
Lost Tribe Sound ~ Fearful Void Series
Our Label of the Year in 2019 returns with a vengeance in 2020. One would think that the title Fearful Void was a response to the current crisis, but it has actually been in the works for years. The same label that
ACL 2019 ~ The Year’s Best Labels
When it came time to tally our votes, we discovered that this year’s winners had never been listed before! A huge congratulations to Wisconsin’s well-deserving and hard-working Lost Tribe Sound, A Closer Listen‘s Label of the Year for 2019, followed closely
ACL 2019 ~ The Year’s Best Labels
When it came time to tally our votes, we discovered that this year’s winners had never been listed before! A huge congratulations to Wisconsin’s well-deserving and hard-working Lost Tribe Sound, A Closer Listen‘s Label of the Year for 2019, followed closely
ACL 2019 ~ The Year’s Best Film Scores
We’re not talking about the same films as everybody else, but for good reason; we’ve packed our slate with dark horse candidates. So no Star Wars (too obvious), no Joker (the artist’s score for Chernobyl was better), no Ad Astra (not the composer’s best soundtrack), no Us (although
ACL 2019 ~ The Year’s Best Film Scores
We’re not talking about the same films as everybody else, but for good reason; we’ve packed our slate with dark horse candidates. So no Star Wars (too obvious), no Joker (the artist’s score for Chernobyl was better), no Ad Astra (not the composer’s best soundtrack), no Us (although
ACL 2019 ~ The Year’s Best Album Covers
The competition was tough this year, but we’ve been able to whittle our selection down to ten. These album covers made us want to hear the music, and even if the music wasn’t much good (don’t worry, it was), we
ACL 2019 ~ The Year’s Best Album Covers
The competition was tough this year, but we’ve been able to whittle our selection down to ten. These album covers made us want to hear the music, and even if the music wasn’t much good (don’t worry, it was), we
ACL 2019 ~ The Year’s Best Packaging
Streaming is king. Fewer physical editions are produced than ever before. And yet, the tactile experience offers something special to the recipient: a feeling that the experience is real. Our ten 2019 selections include half a dozen formats, evidence of
ACL 2019 ~ The Year’s Best Packaging
Streaming is king. Fewer physical editions are produced than ever before. And yet, the tactile experience offers something special to the recipient: a feeling that the experience is real. Our ten 2019 selections include half a dozen formats, evidence of
Skyphone ~ Marsh Drones
Back in 2014, Danish trio Skyphone released the beguiling Hildur, featuring phantasmagorical art by Martin Sønderlev Christensen. This year, they return with Marsh Drones, along with the reissue of their earlier work: the concluding chapters of Lost Tribe Sound’s We Stayed the Path That Fell To
Skyphone ~ Marsh Drones
Back in 2014, Danish trio Skyphone released the beguiling Hildur, featuring phantasmagorical art by Martin Sønderlev Christensen. This year, they return with Marsh Drones, along with the reissue of their earlier work: the concluding chapters of Lost Tribe Sound’s We Stayed the Path That Fell To
The Phonometrician ~ Mnemosyne
We’ve been excited about the debut album from Mexico City’s The Phonometrician (Carlos Morales) ever since we heard “The Fall of Cormonan” last fall. And once we saw João Ruas’ steampunk cover, our anticipation went through the roof. As usual, Lost Tribe
The Phonometrician ~ Mnemosyne
We’ve been excited about the debut album from Mexico City’s The Phonometrician (Carlos Morales) ever since we heard “The Fall of Cormonan” last fall. And once we saw João Ruas’ steampunk cover, our anticipation went through the roof. As usual, Lost Tribe
