Posts Tagged: Milan Records
Ryuichi Sakamoto ~ The Staggering Girl
Matt Schrader’s Score was a 2016 documentary that offered an array of insights from composers and stories behind some of the most interesting and best-known movie soundtracks of recent years, as well as providing an all-too-brief look at the history
Ryuichi Sakamoto ~ The Staggering Girl
Matt Schrader’s Score was a 2016 documentary that offered an array of insights from composers and stories behind some of the most interesting and best-known movie soundtracks of recent years, as well as providing an all-too-brief look at the history
Colin Stetson ~ Color Out of Space OST
The score launches with a creepy, gooey miasma, as if some lugubrious extraterrestrial force were seeping into our soil and souls. And as a matter of fact, it is! The glissandos and rustlings of opening set piece “West of Arkham”
Colin Stetson ~ Color Out of Space OST
The score launches with a creepy, gooey miasma, as if some lugubrious extraterrestrial force were seeping into our soil and souls. And as a matter of fact, it is! The glissandos and rustlings of opening set piece “West of Arkham”
ACL 2019 ~ The Year’s Best Film Scores
We’re not talking about the same films as everybody else, but for good reason; we’ve packed our slate with dark horse candidates. So no Star Wars (too obvious), no Joker (the artist’s score for Chernobyl was better), no Ad Astra (not the composer’s best soundtrack), no Us (although
ACL 2019 ~ The Year’s Best Film Scores
We’re not talking about the same films as everybody else, but for good reason; we’ve packed our slate with dark horse candidates. So no Star Wars (too obvious), no Joker (the artist’s score for Chernobyl was better), no Ad Astra (not the composer’s best soundtrack), no Us (although
ACL 2017 ~ The Year’s Best Film Scores
The mainstream and the avant-garde meet in the field of film scoring. Even those who don’t follow instrumental music are likely to own a few soundtracks. When movie scores break big, their themes are seared in the public’s ears. Despite
ACL 2017 ~ The Year’s Best Film Scores
The mainstream and the avant-garde meet in the field of film scoring. Even those who don’t follow instrumental music are likely to own a few soundtracks. When movie scores break big, their themes are seared in the public’s ears. Despite
Rich’s Picks: Best Film Scores
The film industry honors scores based on their use in movies. But our angle is different; we’re more interested in how scores work as albums. This means our preferences are a bit different from others. After a lot of viewing,
Rich’s Picks: Best Film Scores
The film industry honors scores based on their use in movies. But our angle is different; we’re more interested in how scores work as albums. This means our preferences are a bit different from others. After a lot of viewing,
ACL 2015: The Top 20 Albums of the Year
Rich picked Matana Roberts, Chris picked Michael Price, James picked Ian William Craig, David picked Holly Herndon and Joe picked Heroin in Tahiti. But this year’s #1, one of the longest albums ever recorded, drew support from across the board.
ACL 2015: The Top 20 Albums of the Year
Rich picked Matana Roberts, Chris picked Michael Price, James picked Ian William Craig, David picked Holly Herndon and Joe picked Heroin in Tahiti. But this year’s #1, one of the longest albums ever recorded, drew support from across the board.
ACL 2015: Music for Haunted Houses
Why are we publishing our first year-end list two months early? The answer should be obvious: it’s Halloween week! This follow-up to last year’s Music for Haunted Houses feature covers the best haunted house music released this year. Now prepare to be scared!
ACL 2015: Music for Haunted Houses
Why are we publishing our first year-end list two months early? The answer should be obvious: it’s Halloween week! This follow-up to last year’s Music for Haunted Houses feature covers the best haunted house music released this year. Now prepare to be scared!
Peter Gregson ~ A Little Chaos OST / Touch
Known for making ‘the scary, weird noises’ with his cello on numerous soundtracks, the modest Peter Gregson has performed works by many august composers including ACL favourites Daníel Bjarnason and Max Richter. We previously featured him in the spring with
Peter Gregson ~ A Little Chaos OST / Touch
Known for making ‘the scary, weird noises’ with his cello on numerous soundtracks, the modest Peter Gregson has performed works by many august composers including ACL favourites Daníel Bjarnason and Max Richter. We previously featured him in the spring with
a closer listen 