Posts Tagged: Milan

ACL 2022 ~ The Year’s Best Film Scores
2022 was a particularly good year for film scores, continuing a resurgence from the paucity of the pandemic years. We’ve chosen an eclectic list this year, including a score that was just made available for a film released in 2018,

ACL 2022 ~ The Year’s Best Film Scores
2022 was a particularly good year for film scores, continuing a resurgence from the paucity of the pandemic years. We’ve chosen an eclectic list this year, including a score that was just made available for a film released in 2018,

SP* Episode 13: OUTSIDE THE BOX – with Die Schachtel [podcast]
The podcast returns with an episode dedicated to Italy’s Die Schachtel label. Bruno Stucchi, graphic designer and co-founder of the Die Schachtel reflects upon the evolution of the label, the suppressed history of Italian experimental music, and the continued importance of big ideas.

SP* Episode 13: OUTSIDE THE BOX – with Die Schachtel [podcast]
The podcast returns with an episode dedicated to Italy’s Die Schachtel label. Bruno Stucchi, graphic designer and co-founder of the Die Schachtel reflects upon the evolution of the label, the suppressed history of Italian experimental music, and the continued importance of big ideas.

Moon Landing Music
We love a good anniversary. 50 years ago this weekend, man walked on the moon. From Bandcamp to bookstores to cinemas, the celebration is now in full force. In this article, we cover nine new musical options ~ perhaps you’ll find

Moon Landing Music
We love a good anniversary. 50 years ago this weekend, man walked on the moon. From Bandcamp to bookstores to cinemas, the celebration is now in full force. In this article, we cover nine new musical options ~ perhaps you’ll find

ACL 2018 ~ The Year’s Best Film Scores
What makes a great film score? There are many ways to answer this question, but on our site, there’s only one criterion: does the album stand on its own? The best film scores, like the best ads, make us want

ACL 2018 ~ The Year’s Best Film Scores
What makes a great film score? There are many ways to answer this question, but on our site, there’s only one criterion: does the album stand on its own? The best film scores, like the best ads, make us want

ACL 2018 ~ Music for Haunted Houses
In 2018, the world reached a tipping point in which scary music is no longer scarier than real life. The old monsters are disappointed; they just can’t compete with the news. This being said, it’s one of our favorite times

ACL 2018 ~ Music for Haunted Houses
In 2018, the world reached a tipping point in which scary music is no longer scarier than real life. The old monsters are disappointed; they just can’t compete with the news. This being said, it’s one of our favorite times

Hildur Guðnadóttir & Jóhann Jóhannsson ~ Mary Magdalene OST
Our long goodbye to Jóhann Jóhannsson continues with the release of his final film score, co-composed with frequent collaborator Hildur Guðnadóttir. The score is elegant, powerful, and memorable. Unfortunately, these words have not been applied to the movie, typically described as “slow.”

Hildur Guðnadóttir & Jóhann Jóhannsson ~ Mary Magdalene OST
Our long goodbye to Jóhann Jóhannsson continues with the release of his final film score, co-composed with frequent collaborator Hildur Guðnadóttir. The score is elegant, powerful, and memorable. Unfortunately, these words have not been applied to the movie, typically described as “slow.”

Marco Beltrami ~ A Quiet Place OST
Spoiler-free review! (We’ll mention the ending of the soundtrack, but not of the movie.) A Quiet Place is of special interest due to its concentration on silence and sound. How would Marco Beltrami score it? Unlike other films light on dialogue (Gravity, Castaway,

Marco Beltrami ~ A Quiet Place OST
Spoiler-free review! (We’ll mention the ending of the soundtrack, but not of the movie.) A Quiet Place is of special interest due to its concentration on silence and sound. How would Marco Beltrami score it? Unlike other films light on dialogue (Gravity, Castaway,

Sound Propositions 014: Nicola Ratti
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy

Sound Propositions 014: Nicola Ratti
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy