Posts Tagged: NMC Recordings
Clare O’Connell ~ Light Flowing
In standard verbiage, light tends to glow, to shine, to radiate. In summoning an image of light as something that might flow, London-based cellist and curator Clare O’Connell evokes a subtle tension between stillness and movement, between seen and unseen,
Clare O’Connell ~ Light Flowing
In standard verbiage, light tends to glow, to shine, to radiate. In summoning an image of light as something that might flow, London-based cellist and curator Clare O’Connell evokes a subtle tension between stillness and movement, between seen and unseen,
ACL 2023 ~ The Happiest Music of the Year
There’s never a bad time for happy music. Happy music comes in a variety of intensities, from peaceful and comforting to joyful and ebullient to silly and fun. The type of happy music one listens to can be tailored to
ACL 2023 ~ The Happiest Music of the Year
There’s never a bad time for happy music. Happy music comes in a variety of intensities, from peaceful and comforting to joyful and ebullient to silly and fun. The type of happy music one listens to can be tailored to
Kaleidoscope Chamber Collective ~ Many Voices: Ensemble
How best to encourage young musicians? One might teach them how to play the classics, or even provide them with a modern score (I recently heard middle schoolers playing the theme from The Avengers at a park festival). Even better,
Kaleidoscope Chamber Collective ~ Many Voices: Ensemble
How best to encourage young musicians? One might teach them how to play the classics, or even provide them with a modern score (I recently heard middle schoolers playing the theme from The Avengers at a park festival). Even better,
Bernard Rands ~ Chains Like the Sea
We love a unified thematic release. Chains Like the Sea places its planets in alignment. Robert Henry Harrison‘s cover art is the entry point. This oil painting, Dylan Thomas Boathouse, is angular yet measured, a taming of wave and architecture, a fluid representation
Bernard Rands ~ Chains Like the Sea
We love a unified thematic release. Chains Like the Sea places its planets in alignment. Robert Henry Harrison‘s cover art is the entry point. This oil painting, Dylan Thomas Boathouse, is angular yet measured, a taming of wave and architecture, a fluid representation