Posts Tagged: Richard Allen

I Will Kill Chita ~ Evil Bear Boris

Many post-rock bands incorporate strings and horns in their setup, but few make these a central part of their compositions.  Fewer still incorporate an entire mini-orchestra.  This is what sets Moscow’s I Will Kill Chita apart from the pack.  On Evil Bear Boris, it’s

I Will Kill Chita ~ Evil Bear Boris

Many post-rock bands incorporate strings and horns in their setup, but few make these a central part of their compositions.  Fewer still incorporate an entire mini-orchestra.  This is what sets Moscow’s I Will Kill Chita apart from the pack.  On Evil Bear Boris, it’s

Petrels ~ Flailing Tomb

When a vocal tune appears on a mostly instrumental album, it had better have a memorable hook ~ and by God, “Orpheus” does.  I shall fight, so that failure is possible, sings the all-female choir, responding to verses sung by Never

Petrels ~ Flailing Tomb

When a vocal tune appears on a mostly instrumental album, it had better have a memorable hook ~ and by God, “Orpheus” does.  I shall fight, so that failure is possible, sings the all-female choir, responding to verses sung by Never

At the Intersection: Music & Field Recordings

Recent albums from Phil Edwards, Emile Milgrim & T. Wheeler Castillo and D Bayne exist at the intersection between performed sound and field recording.  Many artists turn to field recordings for texture, but in these works, the originals are honored in a manner that

At the Intersection: Music & Field Recordings

Recent albums from Phil Edwards, Emile Milgrim & T. Wheeler Castillo and D Bayne exist at the intersection between performed sound and field recording.  Many artists turn to field recordings for texture, but in these works, the originals are honored in a manner that

Manrico Montero ~ Sisal

Sisal is a harbor-based field recording that acts on at least three levels: as a reflection of real-life sounds, as a window into the community, and as an early requiem for a changing area.  According to Manrico Montero, Sisal was once the

Manrico Montero ~ Sisal

Sisal is a harbor-based field recording that acts on at least three levels: as a reflection of real-life sounds, as a window into the community, and as an early requiem for a changing area.  According to Manrico Montero, Sisal was once the

My Home, Sinking ~ Sleet

The surprising thing about Sleet is how warm it sounds, considering its title.  This is the second winter-themed release from My Home, Sinking, both released in May, when garlands and dances around the maypole are more in fashion.  Instead of capturing the feeling

My Home, Sinking ~ Sleet

The surprising thing about Sleet is how warm it sounds, considering its title.  This is the second winter-themed release from My Home, Sinking, both released in May, when garlands and dances around the maypole are more in fashion.  Instead of capturing the feeling

When ~ The Black Death

The LP release of When‘s The Black Death has taken 23 years to arrive ~ enough for a generation to pass.  Many alive today have never heard of it, although it’s become a revered work in black metal circles (especially with Burzum).  But it’s

When ~ The Black Death

The LP release of When‘s The Black Death has taken 23 years to arrive ~ enough for a generation to pass.  Many alive today have never heard of it, although it’s become a revered work in black metal circles (especially with Burzum).  But it’s

Alex Menzies ~ Order & Disorder

This may be the best soundtrack to a BBC physics documentary series you’ll ever hear. Of course, you may not watch a lot of physics documentaries, but if you’re interested, the Brits have them.  And this is what one desires from

Alex Menzies ~ Order & Disorder

This may be the best soundtrack to a BBC physics documentary series you’ll ever hear. Of course, you may not watch a lot of physics documentaries, but if you’re interested, the Brits have them.  And this is what one desires from

Hafdís Bjarnadóttir ~ Sounds of Iceland

“These recordings do not contain human-derived sounds,” writes Hafdís Bjarnadóttir in her introduction to the evocative Sounds of Iceland.  This is a difficult achievement in field recording, although with 90% of Iceland residents living in or near Reykjavik, it likely grew easier

Hafdís Bjarnadóttir ~ Sounds of Iceland

“These recordings do not contain human-derived sounds,” writes Hafdís Bjarnadóttir in her introduction to the evocative Sounds of Iceland.  This is a difficult achievement in field recording, although with 90% of Iceland residents living in or near Reykjavik, it likely grew easier