Posts Tagged: Richard Allen

Wil Bolton ~ Quiet Sunlight

The acorns and leaves are piling up, and the yellow, orange and red hues have faded to a muted brown.  Filtered sunlight is shining through the foliage that remains.  Flocks are flying overhead; on the ground, the squirrels are burying

Wil Bolton ~ Quiet Sunlight

The acorns and leaves are piling up, and the yellow, orange and red hues have faded to a muted brown.  Filtered sunlight is shining through the foliage that remains.  Flocks are flying overhead; on the ground, the squirrels are burying

Yoo Doo Right ~ From the Heights of Our Pastureland

A telling Exclaim! quote rests atop Yoo Doo Right‘s Bandcamp page, referring to the trio as a part of “Montréal post-rock royalty.”  This quote, combined with references to GY!BE and an 8mm video, honors the unquestioned rulers of the post-rock

Yoo Doo Right ~ From the Heights of Our Pastureland

A telling Exclaim! quote rests atop Yoo Doo Right‘s Bandcamp page, referring to the trio as a part of “Montréal post-rock royalty.”  This quote, combined with references to GY!BE and an 8mm video, honors the unquestioned rulers of the post-rock

Rafael Anton Irisarri ~ FAÇADISMS

What are the chances that two albums inspired by brutalist architecture would be released in the same season?  FAÇADISMS, to be unveiled on Rafael Anton Irisarris very own Black Knoll imprint, arrives on the heels of mHz’s Material Prosody on

Rafael Anton Irisarri ~ FAÇADISMS

What are the chances that two albums inspired by brutalist architecture would be released in the same season?  FAÇADISMS, to be unveiled on Rafael Anton Irisarris very own Black Knoll imprint, arrives on the heels of mHz’s Material Prosody on

SABIWA, Queimada, Nathan L. ~ Sons of _

Sons of _ is an album about impermanence, as evidenced by titles such as “There is no end and no beginning”, “What is true is not true” and “There is nothing and there is no name.”  The photo is foggy, and

SABIWA, Queimada, Nathan L. ~ Sons of _

Sons of _ is an album about impermanence, as evidenced by titles such as “There is no end and no beginning”, “What is true is not true” and “There is nothing and there is no name.”  The photo is foggy, and

Francisco López ~ HIMAVANTA: environmental sound matter from Thailand’s forests

In 2020, Francisco López released a 12-hour, 138-track set celebrating 40 years of sound art.  This year, he has released an 11-hour album; so one might say his albums are getting shorter.  A better way to put it would be to

Francisco López ~ HIMAVANTA: environmental sound matter from Thailand’s forests

In 2020, Francisco López released a 12-hour, 138-track set celebrating 40 years of sound art.  This year, he has released an 11-hour album; so one might say his albums are getting shorter.  A better way to put it would be to

Jilk ~ Soft in Shape and Meaning

The Jilk collective is nearly impossible to define, save for their electronic base.  Their last album was lyric-centered, while their new double-album is primarily instrumental; and they shift sub-genres with aplomb, touching upon ambience, modern composition and post-rock with an experimental flair.

Jilk ~ Soft in Shape and Meaning

The Jilk collective is nearly impossible to define, save for their electronic base.  Their last album was lyric-centered, while their new double-album is primarily instrumental; and they shift sub-genres with aplomb, touching upon ambience, modern composition and post-rock with an experimental flair.

Plïnkï Plønkï ~ Happy Halloween

Must Halloween music always be scary?  We kept this principle in mind for our series Music for Haunted Houses, which ran from 2014-20; in the year without trick-or-treaters, we concluded that “the whole world (had) become a haunted house,” and

Plïnkï Plønkï ~ Happy Halloween

Must Halloween music always be scary?  We kept this principle in mind for our series Music for Haunted Houses, which ran from 2014-20; in the year without trick-or-treaters, we concluded that “the whole world (had) become a haunted house,” and

Luke Howard ~ Interlinked

Luke Howard is no stranger to orchestral arrangement, but Interlinked is the composer’s first work for full orchestra, the score to Juliano Nunes’ ballet Interlinked.  The choreography intentionally challenges gender norms in ballet, while the fluidity of the score underlines the approach.

Luke Howard ~ Interlinked

Luke Howard is no stranger to orchestral arrangement, but Interlinked is the composer’s first work for full orchestra, the score to Juliano Nunes’ ballet Interlinked.  The choreography intentionally challenges gender norms in ballet, while the fluidity of the score underlines the approach.