Posts Tagged: Richard Allen
Sujo ~ Kahane
Sujo on vinyl! And what lovely vinyl it is, courtesy of the fine folks at Fedora Corpse Recordings. Call the shade coffee, dirt or gold, depending on your concept of color, and add a touch of black: somewhat like the recording
Sujo ~ Kahane
Sujo on vinyl! And what lovely vinyl it is, courtesy of the fine folks at Fedora Corpse Recordings. Call the shade coffee, dirt or gold, depending on your concept of color, and add a touch of black: somewhat like the recording
Leo Abrahams + Oliver Coates ~ Crystals Are Always Forming
“Crystals are always forming,” say Leo Abrahams + Oliver Coates, and on this album, one can imagine the slow process in which they form, building on existing structures, sending tendrils across their surfaces like dendrites. The album contains a clear culmination,
Leo Abrahams + Oliver Coates ~ Crystals Are Always Forming
“Crystals are always forming,” say Leo Abrahams + Oliver Coates, and on this album, one can imagine the slow process in which they form, building on existing structures, sending tendrils across their surfaces like dendrites. The album contains a clear culmination,
Sun Hammer + Radere ~ Lotophagen
Earlier this year, we reviewed separate releases by Sun Hammer + Radere on the Futuresequence label. The two are friends, and this effort is not only a musical collaboration, but an expansion of that friendship. Jay Bodley (Sun Hammer) changed states twice
Sun Hammer + Radere ~ Lotophagen
Earlier this year, we reviewed separate releases by Sun Hammer + Radere on the Futuresequence label. The two are friends, and this effort is not only a musical collaboration, but an expansion of that friendship. Jay Bodley (Sun Hammer) changed states twice
FluiD/John 3:16 ~ The Pursuit of Salvation
John 3:16 is back again, this time on vinyl, and he’s brought a friend, industrial/hip-hop artist Christophe Gilmore (FluiD). After 25 years in the business, the latter artist is still going strong, perhaps a sign that he was ahead of his
FluiD/John 3:16 ~ The Pursuit of Salvation
John 3:16 is back again, this time on vinyl, and he’s brought a friend, industrial/hip-hop artist Christophe Gilmore (FluiD). After 25 years in the business, the latter artist is still going strong, perhaps a sign that he was ahead of his
John 3:16 ~ Sinners in the Hands of an Angry God
When an artist calls himself John 3:16, he’d better be ready for theological discussion. It’s a good thing this solo artist takes religion as his starting point. While his works are inspired by faith, they are neither caustic nor traditionally worshipful.
John 3:16 ~ Sinners in the Hands of an Angry God
When an artist calls himself John 3:16, he’d better be ready for theological discussion. It’s a good thing this solo artist takes religion as his starting point. While his works are inspired by faith, they are neither caustic nor traditionally worshipful.
HXDK ~ The Letting Go
HXDK‘s The Letting Go brings to mind multiple associations, including the Melissa Etheridge song of the same title (“I came here to let you know the letting go has taken place …”), the violent tantrum in the film version of Where the Wild
HXDK ~ The Letting Go
HXDK‘s The Letting Go brings to mind multiple associations, including the Melissa Etheridge song of the same title (“I came here to let you know the letting go has taken place …”), the violent tantrum in the film version of Where the Wild
mouse on the keys ~ Machinic Phylum
Japan’s mouse on the keys possesses an instantly recognizable sound: hard piano playing accompanied by hard drumming, with slightly subtler bass accents (also played on the keyboards). The band plays jazz for those who don’t usually like jazz, frequently laying an accessible
mouse on the keys ~ Machinic Phylum
Japan’s mouse on the keys possesses an instantly recognizable sound: hard piano playing accompanied by hard drumming, with slightly subtler bass accents (also played on the keyboards). The band plays jazz for those who don’t usually like jazz, frequently laying an accessible
We Are the Wooden Houses ~ Halloween Haarp/Island of Death
Stephen Benson, half of Hills! Werewolves! Run!, is also half of We Are the Wooden Houses, but the two groups sound totally different from one another. The former takes post-rock as its starting point, while the latter delves into psych, raga
We Are the Wooden Houses ~ Halloween Haarp/Island of Death
Stephen Benson, half of Hills! Werewolves! Run!, is also half of We Are the Wooden Houses, but the two groups sound totally different from one another. The former takes post-rock as its starting point, while the latter delves into psych, raga
a closer listen 