Posts Tagged: Richard Allen
ACL 2024 ~ Spring Music Preview: Ambient & Drone
Astronomical spring is only two weeks away, and hundreds of spring albums have begun to poke through the sonic ether like crocuses and daffodils through dirt. In a few weeks time, the bouquets will become fields, and the hills will
ACL 2024 ~ Spring Music Preview: Ambient & Drone
Astronomical spring is only two weeks away, and hundreds of spring albums have begun to poke through the sonic ether like crocuses and daffodils through dirt. In a few weeks time, the bouquets will become fields, and the hills will
mayforest ~ ablatio (Plus Interview!)
Some may recognize the name mayforest from our review of nocny a couple years back or his self-titled release a few years before that. Christian Maiwald’s music is eminently peaceful, the reflection of what we thought was a relatively placid, carefree life. But then
mayforest ~ ablatio (Plus Interview!)
Some may recognize the name mayforest from our review of nocny a couple years back or his self-titled release a few years before that. Christian Maiwald’s music is eminently peaceful, the reflection of what we thought was a relatively placid, carefree life. But then
Andrey Kiritchenko ~ MARIA
MARIA is a gem of an album, celebratory in theme and sound. Had it been released at any other time, it might only have been received as such, but in the current climate it also bears an invisible weight. Andrey Kiritchenko‘s
Andrey Kiritchenko ~ MARIA
MARIA is a gem of an album, celebratory in theme and sound. Had it been released at any other time, it might only have been received as such, but in the current climate it also bears an invisible weight. Andrey Kiritchenko‘s
Fields Ohio ~ Some Melodies Are Memories You Never Really Leave Behind Vol. 1
We’re long overdue to feature Fields Ohio, and the release of Some Melodies Are Memories You Never Really Leave Behind, which includes unpublished tracks from their eleven-year career, provides us a prime opportunity. The long-distance, New York to Ohio collaboration between
Fields Ohio ~ Some Melodies Are Memories You Never Really Leave Behind Vol. 1
We’re long overdue to feature Fields Ohio, and the release of Some Melodies Are Memories You Never Really Leave Behind, which includes unpublished tracks from their eleven-year career, provides us a prime opportunity. The long-distance, New York to Ohio collaboration between
Jon Ekstrand ~ Sons (Vogter) Original Motion Picture Score
This past weekend, Gustav Möller’s Sons (Vogter) debuted at the Berlinale ’24 Competition, and is already received critical acclaim. Möller’s prior film, “The Guilty,” was adapted into an English-language film starring Jake Gyllenhaal; composer Jon Ekstrand may be best known for the TV
Jon Ekstrand ~ Sons (Vogter) Original Motion Picture Score
This past weekend, Gustav Möller’s Sons (Vogter) debuted at the Berlinale ’24 Competition, and is already received critical acclaim. Möller’s prior film, “The Guilty,” was adapted into an English-language film starring Jake Gyllenhaal; composer Jon Ekstrand may be best known for the TV
Tinlicker ~ Cold Enough for Snow
For our instrumental-minded site, Cold Enough for Snow is a guilty pleasure; but for those who enjoy electronic music with vocals, it’s simply a pleasure. Like Tinlicker‘s first two albums, the new release is a mixture of (mostly) instrumental and vocal tracks,
Tinlicker ~ Cold Enough for Snow
For our instrumental-minded site, Cold Enough for Snow is a guilty pleasure; but for those who enjoy electronic music with vocals, it’s simply a pleasure. Like Tinlicker‘s first two albums, the new release is a mixture of (mostly) instrumental and vocal tracks,
Li Yilei ~ NONAGE
It’s hard to resist an album with track titles such as “Pond, Grief and Glee” and “Sand, Fable and Tiger Balm.” Such titles hearken back to childhood while honoring the power of three. Li Yilei uses childhood instruments ~ some irrevocably
Li Yilei ~ NONAGE
It’s hard to resist an album with track titles such as “Pond, Grief and Glee” and “Sand, Fable and Tiger Balm.” Such titles hearken back to childhood while honoring the power of three. Li Yilei uses childhood instruments ~ some irrevocably
Fall of Leviathan ~ In Waves
The experience starts with a beautiful cover, painted by Jéromine Schaller for Swiss post-metal collective Fall of Leviathan. The theme and tone hearken back to Neil on Impression’s classic L’Oceano del onde che restano onde per sempre, with both cinematic and
Fall of Leviathan ~ In Waves
The experience starts with a beautiful cover, painted by Jéromine Schaller for Swiss post-metal collective Fall of Leviathan. The theme and tone hearken back to Neil on Impression’s classic L’Oceano del onde che restano onde per sempre, with both cinematic and
a closer listen 