Posts Tagged: Room40
Ulrich Krieger ~ Aphotic II – Abyssal
If one were to imagine a musical approximation of the ocean’s aphotic depths – the zones beyond the reach of sunlight and photosynthesis, where fish are luminescent – the first instruments that come to mind might not be saxophone, accordion,
Ulrich Krieger ~ Aphotic II – Abyssal
If one were to imagine a musical approximation of the ocean’s aphotic depths – the zones beyond the reach of sunlight and photosynthesis, where fish are luminescent – the first instruments that come to mind might not be saxophone, accordion,
Philip Samartzis ~ Atmospheres and Disturbances
Sitting somewhere at the crossroads between researcher, activist, scholar, composer, and recording engineer, Australian sound artist Philip Samartzis seems preoccupied with sound as both a natural and artificial phenomenon. While it would be easy to categorize Samartzis’ previous electroacoustic collaborations
Philip Samartzis ~ Atmospheres and Disturbances
Sitting somewhere at the crossroads between researcher, activist, scholar, composer, and recording engineer, Australian sound artist Philip Samartzis seems preoccupied with sound as both a natural and artificial phenomenon. While it would be easy to categorize Samartzis’ previous electroacoustic collaborations
Francesco Fabris & Ben Frost ~ Vakning
Few field recording artists experience risk recording in urban, suburban and forest environments, but the Room40 roster revels in extremes: Antarctic storms, sub-zero temperatures, and now the boiling opposite. Vakning was recorded at Iceland’s Fagradalsfjall and pairs well with Alyssa Moxley’s Underdrift:
Francesco Fabris & Ben Frost ~ Vakning
Few field recording artists experience risk recording in urban, suburban and forest environments, but the Room40 roster revels in extremes: Antarctic storms, sub-zero temperatures, and now the boiling opposite. Vakning was recorded at Iceland’s Fagradalsfjall and pairs well with Alyssa Moxley’s Underdrift:
ACL 2022 ~ Top Ten Field Recording & Soundscape
What is the sound of the year? In recent years, it might have been the sound of silence, or that of pots and pans struck in solidarity; it might have been the sound of protest, or of fire. This year,
ACL 2022 ~ Top Ten Field Recording & Soundscape
What is the sound of the year? In recent years, it might have been the sound of silence, or that of pots and pans struck in solidarity; it might have been the sound of protest, or of fire. This year,
ACL 2022 ~ Top Ten Ambient
The best ambient albums of the year include a set of short stories, an ode to a remote island, a celebration of sailing, a score to ice diving and an expression of hope from Ukraine. Fans of classic ambience will
ACL 2022 ~ Top Ten Ambient
The best ambient albums of the year include a set of short stories, an ode to a remote island, a celebration of sailing, a score to ice diving and an expression of hope from Ukraine. Fans of classic ambience will
ACL 2022 ~ The Year’s Best Labels
While many music labels impressed us this year, few had to deal with invasion and war. Our Label of the Year is Ukraine’s Corridor Audio, a shining example of grace under fire. In retrospect, it seems scary to recall that
ACL 2022 ~ The Year’s Best Labels
While many music labels impressed us this year, few had to deal with invasion and war. Our Label of the Year is Ukraine’s Corridor Audio, a shining example of grace under fire. In retrospect, it seems scary to recall that
Pierce Warnecke ~ Deafened By The Noise Of Time
The notes accompanying Pierre Warnecke’s new album Deafened by the Noise of Time begin with a quote from the German author, W.G. Sebald. Taken from his experimental final novel Austerlitz, the quotation ends with a melancholic mediation on sonic absence
Pierce Warnecke ~ Deafened By The Noise Of Time
The notes accompanying Pierre Warnecke’s new album Deafened by the Noise of Time begin with a quote from the German author, W.G. Sebald. Taken from his experimental final novel Austerlitz, the quotation ends with a melancholic mediation on sonic absence
Alberto Boccardi ~ Petra
There are times when even the most familiar landscape takes on an uncomfortable edge. The hill up the road starts to look alien, the cityscape like a jumble of separate, disconnected parts. Returning home after a long absence, familiar sights
Alberto Boccardi ~ Petra
There are times when even the most familiar landscape takes on an uncomfortable edge. The hill up the road starts to look alien, the cityscape like a jumble of separate, disconnected parts. Returning home after a long absence, familiar sights