Posts Tagged: We Stood Like Kings
We Stood Like Kings ~ Away
Following their initial silent film trilogy and a set of classical reworks, Brussels post-rockers We Stood Like Kings have returned to the cinematic world, with a twist. This time they are not only rescoring an animated film, but a recent one: Gints Zilbalodis’
We Stood Like Kings ~ Away
Following their initial silent film trilogy and a set of classical reworks, Brussels post-rockers We Stood Like Kings have returned to the cinematic world, with a twist. This time they are not only rescoring an animated film, but a recent one: Gints Zilbalodis’
We Stood Like Kings ~ USA 1982
Brussels quartet We Stood Like Kings has no shortage of ambition. After releasing scores for the silent films Berlin and A Sixth Part of the World, they’ve chosen to tackle a more modern film that is known for its score. It’s hard to think of Koyaanisqatsi without
We Stood Like Kings ~ USA 1982
Brussels quartet We Stood Like Kings has no shortage of ambition. After releasing scores for the silent films Berlin and A Sixth Part of the World, they’ve chosen to tackle a more modern film that is known for its score. It’s hard to think of Koyaanisqatsi without
We Stood Like Kings ~ USSR 1926
We Stood Like Kings steps one year deeper into the past with its latest release, the follow-up to Berlin 1927. Like that release, the LP is a new score to an old film, this one being Dziga Vertov’s Russian classic A Sixth Part
We Stood Like Kings ~ USSR 1926
We Stood Like Kings steps one year deeper into the past with its latest release, the follow-up to Berlin 1927. Like that release, the LP is a new score to an old film, this one being Dziga Vertov’s Russian classic A Sixth Part
We Stood Like Kings ~ Berlin 1927
Once upon a time, there was rock. And then there was post-rock, cinematic in nature. And then certain bands started to discover a natural pairing of post-rock with silent film. No more would they need to describe their music as
We Stood Like Kings ~ Berlin 1927
Once upon a time, there was rock. And then there was post-rock, cinematic in nature. And then certain bands started to discover a natural pairing of post-rock with silent film. No more would they need to describe their music as