Posts Tagged: Whited Sepulchre
ACL 2023 ~ The Year’s Best Ukrainian Music
Nearly two years after the invasion, the Ukrainian music scene has continued to flourish, responding to war with creative fire. We continue to be astounded by the volume, variety and vitality of the new music released by Ukrainian musicians, which
ACL 2023 ~ The Year’s Best Ukrainian Music
Nearly two years after the invasion, the Ukrainian music scene has continued to flourish, responding to war with creative fire. We continue to be astounded by the volume, variety and vitality of the new music released by Ukrainian musicians, which
ACL 2022 ~ Top Ten Rock, Post-Rock, Folk & Jazz
One of the wonderful things about this blended portfolio is that when one genre produces less than the others, another steps up to fill the gap. This year, we are proud to say that all four made the list. Some
ACL 2022 ~ Top Ten Rock, Post-Rock, Folk & Jazz
One of the wonderful things about this blended portfolio is that when one genre produces less than the others, another steps up to fill the gap. This year, we are proud to say that all four made the list. Some
Lake Mary ~ Slow Grass
Slow Grass has appeared in various forms in recent years, including a digital EP by Lake Mary and Patrick Shiroishi in 2020 and an eight-minute offering with Oxherding in 2021. The full 40-minute version is now presented on Whited Sepulchre: two distinct sides
Lake Mary ~ Slow Grass
Slow Grass has appeared in various forms in recent years, including a digital EP by Lake Mary and Patrick Shiroishi in 2020 and an eight-minute offering with Oxherding in 2021. The full 40-minute version is now presented on Whited Sepulchre: two distinct sides
Jordan Reyes ~ Fairchild Soundtrack + Border Land
A certain senselessness pervades the entirety of this album, which brings together two separate, yet interrelated works. One is a soundtrack for a short film about the abuse of a teenage girl at a summer camp, and the other is
Jordan Reyes ~ Fairchild Soundtrack + Border Land
A certain senselessness pervades the entirety of this album, which brings together two separate, yet interrelated works. One is a soundtrack for a short film about the abuse of a teenage girl at a summer camp, and the other is