Posts Tagged: William Ryan Fritch
William Ryan Fritch ~ Polarity
Polarity is a different but no less engaging album from William Ryan Fritch, the first of a trilogy addressing the planet’s water crisis. Fritch’s experimental and electronic tendencies come to the fore, eclipsing his orchestral bent (although it remains evident in
William Ryan Fritch ~ Polarity
Polarity is a different but no less engaging album from William Ryan Fritch, the first of a trilogy addressing the planet’s water crisis. Fritch’s experimental and electronic tendencies come to the fore, eclipsing his orchestral bent (although it remains evident in
William Ryan Fritch ~ The Letdown
As the first album in Lost Tribe Sound’s new series Built Upon a Fearful Void, The Letdown is anything but. It’s also the first William Ryan Fritch album that doesn’t sound like William Ryan Fritch, which is quite an accomplishment given the fact that
William Ryan Fritch ~ The Letdown
As the first album in Lost Tribe Sound’s new series Built Upon a Fearful Void, The Letdown is anything but. It’s also the first William Ryan Fritch album that doesn’t sound like William Ryan Fritch, which is quite an accomplishment given the fact that
ACL 2019 ~ The Year’s Best Film Scores
We’re not talking about the same films as everybody else, but for good reason; we’ve packed our slate with dark horse candidates. So no Star Wars (too obvious), no Joker (the artist’s score for Chernobyl was better), no Ad Astra (not the composer’s best soundtrack), no Us (although
ACL 2019 ~ The Year’s Best Film Scores
We’re not talking about the same films as everybody else, but for good reason; we’ve packed our slate with dark horse candidates. So no Star Wars (too obvious), no Joker (the artist’s score for Chernobyl was better), no Ad Astra (not the composer’s best soundtrack), no Us (although
V/A ~ THESIS DRIVE 2/3
The THESIS PROJECT continues with another wonderful series, this one meant to accompany listeners while they travel. The length of the compositions ~ presented here by William Ryan Fritch, Drombeg, Hotel Neon and Marcus Fischer ~ invites immersion. Three pieces are over twenty minutes
V/A ~ THESIS DRIVE 2/3
The THESIS PROJECT continues with another wonderful series, this one meant to accompany listeners while they travel. The length of the compositions ~ presented here by William Ryan Fritch, Drombeg, Hotel Neon and Marcus Fischer ~ invites immersion. Three pieces are over twenty minutes
William Ryan Fritch ~ Deceptive Cadence: Music for Film Volume I & II
Deceptive Cadence is the crown jewel of Lost Tribe Sound’s latest subscription series, if not of their entire discography. This is only fitting as William Ryan Fritch ~ who also records as Vieo Abiungo ~ is the label’s signature artist. Deceptive Cadence makes a perfect
William Ryan Fritch ~ Deceptive Cadence: Music for Film Volume I & II
Deceptive Cadence is the crown jewel of Lost Tribe Sound’s latest subscription series, if not of their entire discography. This is only fitting as William Ryan Fritch ~ who also records as Vieo Abiungo ~ is the label’s signature artist. Deceptive Cadence makes a perfect
ACL 2017 ~ Top Ten Modern Composition
Modern Composition was our hottest genre this year, with 28 albums nominated for only ten spots. From solo piano to full orchestra, consonance to dissonance, giving up to going on, these picks represent a grand variety of composed sound. Their
ACL 2017 ~ Top Ten Modern Composition
Modern Composition was our hottest genre this year, with 28 albums nominated for only ten spots. From solo piano to full orchestra, consonance to dissonance, giving up to going on, these picks represent a grand variety of composed sound. Their
ACL 2017 ~ The Year’s Best Film Scores
The mainstream and the avant-garde meet in the field of film scoring. Even those who don’t follow instrumental music are likely to own a few soundtracks. When movie scores break big, their themes are seared in the public’s ears. Despite
ACL 2017 ~ The Year’s Best Film Scores
The mainstream and the avant-garde meet in the field of film scoring. Even those who don’t follow instrumental music are likely to own a few soundtracks. When movie scores break big, their themes are seared in the public’s ears. Despite
William Ryan Fritch ~ The Sum of its Parts/The Old Believers
The reputation of William Ryan Fritch had already been established when Lost Tribe Sound launched the Leave Me Subscription Series in 2014. That series, twelve albums in total, sent him over the top. As the subscriptions had been extremely limited, many never got to
William Ryan Fritch ~ The Sum of its Parts/The Old Believers
The reputation of William Ryan Fritch had already been established when Lost Tribe Sound launched the Leave Me Subscription Series in 2014. That series, twelve albums in total, sent him over the top. As the subscriptions had been extremely limited, many never got to
a closer listen 