Author Archives: gianmarcodelre
Ukrainian Field Notes LIII
One of the joys of doing this series is discovering new artists. After more than four years, I’m still finding fresh, original voices emerging from Ukraine. Hailing from Ivano-Frankivsk is 20-year-old støïbrok, an improviser and researcher of sound who only
Ukrainian Field Notes LIII
One of the joys of doing this series is discovering new artists. After more than four years, I’m still finding fresh, original voices emerging from Ukraine. Hailing from Ivano-Frankivsk is 20-year-old støïbrok, an improviser and researcher of sound who only
Saba Alizadeh ~ Rituals of the Last Dawn
Born in Tehran in 1983 as son of the world renowned tar and setar virtuoso Hossein Alizadeh, Saba Alizadeh established himself not only as a true master on the Iranian spike fiddle kamancheh but one of the groundbreaking voices in
Saba Alizadeh ~ Rituals of the Last Dawn
Born in Tehran in 1983 as son of the world renowned tar and setar virtuoso Hossein Alizadeh, Saba Alizadeh established himself not only as a true master on the Iranian spike fiddle kamancheh but one of the groundbreaking voices in
ross ~ canciones del fin
“The fall is inevitable. Learning how to collapse is necessary.” With canciones del fin, Medellín-based sound artist ross delivers a hushed and luminous meditation on endings. The five-track EP unfolds like a cycle of lullabies for the Earth’s last night
ross ~ canciones del fin
“The fall is inevitable. Learning how to collapse is necessary.” With canciones del fin, Medellín-based sound artist ross delivers a hushed and luminous meditation on endings. The five-track EP unfolds like a cycle of lullabies for the Earth’s last night
Група Б ~ Тестування життя (Fundraiser, limited edition)
When Timur Dzhafarov retired his John Object alias, he didn’t so much pivot as detonate. Under the Група Б (Group B) moniker, he has spent the past couple of years dragging his sound deeper into abrasion, deconstruction, and circuitry, releasing
Група Б ~ Тестування життя (Fundraiser, limited edition)
When Timur Dzhafarov retired his John Object alias, he didn’t so much pivot as detonate. Under the Група Б (Group B) moniker, he has spent the past couple of years dragging his sound deeper into abrasion, deconstruction, and circuitry, releasing
Antonio Gallucci ~ Hope for Nothingness as Something
With Hope for Nothingness as Something, Antonio Gallucci delivers a two-chapter suite that feels less like an album and more like a controlled philosophical quest. Written for modular and FM synth, wind and string instruments, electronics, sound objects, and field
Antonio Gallucci ~ Hope for Nothingness as Something
With Hope for Nothingness as Something, Antonio Gallucci delivers a two-chapter suite that feels less like an album and more like a controlled philosophical quest. Written for modular and FM synth, wind and string instruments, electronics, sound objects, and field
Various Artists ~ Pakapi Loops vol1
Based in Argentina and focused on South American artists, Pakapi Records has steadily cultivated a catalogue attuned to texture, process and locality. On Pakapi Loops vol1, the label draws from its roster to frame the loop not as doctrine but
Various Artists ~ Pakapi Loops vol1
Based in Argentina and focused on South American artists, Pakapi Records has steadily cultivated a catalogue attuned to texture, process and locality. On Pakapi Loops vol1, the label draws from its roster to frame the loop not as doctrine but
Bosque Vacío ~ Aves de Nahá
With Aves de Nahá, Bosque Vacío turn from the fractured wetlands of Mexico City toward the dense cosmologies of the Lacandon jungle in Chiapas. Where 2023’s Cantera Oriente traced the unstable boundaries between quarry, reserve and megapolis — a site
Bosque Vacío ~ Aves de Nahá
With Aves de Nahá, Bosque Vacío turn from the fractured wetlands of Mexico City toward the dense cosmologies of the Lacandon jungle in Chiapas. Where 2023’s Cantera Oriente traced the unstable boundaries between quarry, reserve and megapolis — a site
Ukrainian Field Notes LII
It’s now been four years since the full-scale invasion with little to feel optimistic about. This month we talk to kyïvite about radio broadcasts and archival recordings while Polygrim describes his production processes as playing with Lego on steroids and
Ukrainian Field Notes LII
It’s now been four years since the full-scale invasion with little to feel optimistic about. This month we talk to kyïvite about radio broadcasts and archival recordings while Polygrim describes his production processes as playing with Lego on steroids and
a closer listen 