Author Archives: gianmarcodelre

Arshan Najafi ~ Zenosyne

Arshan Najafi‘s Zenosyne takes its title from John Koenig’s neologism describing the unsettling sensation that time seems to accelerate as we grow older. The album focuses on the paradox behind that sensation. As Najafi explains in the accompanying interview, the

Arshan Najafi ~ Zenosyne

Arshan Najafi‘s Zenosyne takes its title from John Koenig’s neologism describing the unsettling sensation that time seems to accelerate as we grow older. The album focuses on the paradox behind that sensation. As Najafi explains in the accompanying interview, the

Toni Geitani ~ Wahj

Across its seventeen tracks, Wahj brings together electronics, industrial textures, processed strings, Arabic vocal traditions and fractured rhythms in combinations that keep changing shape. Individual elements remain recognisable without settling into familiar forms, while images of voice, disappearance, radiance and

Toni Geitani ~ Wahj

Across its seventeen tracks, Wahj brings together electronics, industrial textures, processed strings, Arabic vocal traditions and fractured rhythms in combinations that keep changing shape. Individual elements remain recognisable without settling into familiar forms, while images of voice, disappearance, radiance and

Tony Njoku ~ A World of Bodies on Fire

Tony Njoku‘s recent work has moved between open-ended instrumental composition and song. A WORLD OF BODIES ON FIRE continues this movement in a more intimate setting. Across four pieces, piano, synthesisers and space provide the foundations of the music. The

Tony Njoku ~ A World of Bodies on Fire

Tony Njoku‘s recent work has moved between open-ended instrumental composition and song. A WORLD OF BODIES ON FIRE continues this movement in a more intimate setting. Across four pieces, piano, synthesisers and space provide the foundations of the music. The

al niente ~ S/T

In musical notation, al niente means “to nothing”: a gradual fading until sound disappears. The title suits this debut by Beatrice Miniaci, Cosimo Fiaschi, Gabriele Pagliano and Luca Venitucci, a quartet whose music is shaped by subtraction. Three collective improvisations

al niente ~ S/T

In musical notation, al niente means “to nothing”: a gradual fading until sound disappears. The title suits this debut by Beatrice Miniaci, Cosimo Fiaschi, Gabriele Pagliano and Luca Venitucci, a quartet whose music is shaped by subtraction. Three collective improvisations

Abadir ~ The Primitivist

After several records examining language (Pause/Stutter/Uh/Repeat), mutation (Mutate), liturgical memory (Ison), and the algorithmic logic of social media (Kitbashing), Abadir arrives at what feels like the conceptual centre of his work. The Primitivist is not simply a new collection of

Abadir ~ The Primitivist

After several records examining language (Pause/Stutter/Uh/Repeat), mutation (Mutate), liturgical memory (Ison), and the algorithmic logic of social media (Kitbashing), Abadir arrives at what feels like the conceptual centre of his work. The Primitivist is not simply a new collection of

Leonardo Barbierato ~ ]ex(s)it(u)[

The title gives it away. ]ex(s)it(u)[ is a “concept album.” The cover photograph might initially suggest a bucolic collection of field recordings, but Leonardo Barbierato has other ideas. Birdsong is indeed one of the first sounds we hear, accompanied by

Leonardo Barbierato ~ ]ex(s)it(u)[

The title gives it away. ]ex(s)it(u)[ is a “concept album.” The cover photograph might initially suggest a bucolic collection of field recordings, but Leonardo Barbierato has other ideas. Birdsong is indeed one of the first sounds we hear, accompanied by

Giulio Aldinucci ~ Materia

One of the hazards of reviewing drone and ambient albums is the overuse of words like expansive. And yes, Giulio Aldinucci‘s Materia is expansive. Glad I could clear that up. It is also luminous. Another overworked adjective. But I’ll come

Giulio Aldinucci ~ Materia

One of the hazards of reviewing drone and ambient albums is the overuse of words like expansive. And yes, Giulio Aldinucci‘s Materia is expansive. Glad I could clear that up. It is also luminous. Another overworked adjective. But I’ll come

Ukrainian Field Notes LVIII

And we are back after the summer break with a new episode of UFN. I wish Ukraine could have had a bit of a break as well, but far from it. Ballistic missile attacks have only intensified, while Kramatorsk and

Ukrainian Field Notes LVIII

And we are back after the summer break with a new episode of UFN. I wish Ukraine could have had a bit of a break as well, but far from it. Ballistic missile attacks have only intensified, while Kramatorsk and