Author Archives: postrockcafe
Hollow Press ~ Heads in Dust
Australia’s Wood & Wire has been making a name for itself with a series of quality releases, each featuring distinctive triple triangle covers. After two releases on Drug Arts, Hollow Press has joined the W&W stable. While three releases in a
Hollow Press ~ Heads in Dust
Australia’s Wood & Wire has been making a name for itself with a series of quality releases, each featuring distinctive triple triangle covers. After two releases on Drug Arts, Hollow Press has joined the W&W stable. While three releases in a
Peals ~ Walking Field
Listening to preview track “Blue Elvis”, embedded below, one receives a first impression of Peals as a languid guitar-based band. But Peals – who fill the speakers, but are actually a duo – are so diverse that no single track can do
Peals ~ Walking Field
Listening to preview track “Blue Elvis”, embedded below, one receives a first impression of Peals as a languid guitar-based band. But Peals – who fill the speakers, but are actually a duo – are so diverse that no single track can do
Various Artists ~ Earthtones
The digital era has been hard on music labels, and especially hard on the production of physical copies. Thankfully, this crunch has also inspired a bout of creativity. Tessellate Recordings, led by Harry Towell (Spheruleus) has just launched an ambitious
Various Artists ~ Earthtones
The digital era has been hard on music labels, and especially hard on the production of physical copies. Thankfully, this crunch has also inspired a bout of creativity. Tessellate Recordings, led by Harry Towell (Spheruleus) has just launched an ambitious
Good Morning Finch ~ Cosmonaut
Italian post-rock trio entered the music scene in 2010 with a single and an EP, followed by festivals and a lineup change. Time and a new guitarist / mixer have led to a shift in sound, and while Cosmonaut follows in the
Good Morning Finch ~ Cosmonaut
Italian post-rock trio entered the music scene in 2010 with a single and an EP, followed by festivals and a lineup change. Time and a new guitarist / mixer have led to a shift in sound, and while Cosmonaut follows in the
Crowhurst ~ Death Van
32 albums into Crowhurst‘s discography, and L.A. noise maven Jay Gambit shows no signs of slowing down. For the new release, he’s joined by a wide host of like-minded musicians, including members of Dive Signals, Opacities, Yuggoth and Hashima. After seeing
Crowhurst ~ Death Van
32 albums into Crowhurst‘s discography, and L.A. noise maven Jay Gambit shows no signs of slowing down. For the new release, he’s joined by a wide host of like-minded musicians, including members of Dive Signals, Opacities, Yuggoth and Hashima. After seeing
3+ ~ Your Small Story
Your Small Story begins as humbly as its title. The art is unassuming, and for the first few minutes, the album dabbles in an unremarkable ambience. But at the 3:04 mark, everything changes. Strings transform the placid opener “Heaven of the
3+ ~ Your Small Story
Your Small Story begins as humbly as its title. The art is unassuming, and for the first few minutes, the album dabbles in an unremarkable ambience. But at the 3:04 mark, everything changes. Strings transform the placid opener “Heaven of the
Slow Lake ~ Sleeping Apart EP
If one wanted to capture the forlorn feeling of sleeping apart following the dissolution of a relationship, this would be it. We really hope that this didn’t happen to Slow Lake, but we fear that it has. The silver lining is
Slow Lake ~ Sleeping Apart EP
If one wanted to capture the forlorn feeling of sleeping apart following the dissolution of a relationship, this would be it. We really hope that this didn’t happen to Slow Lake, but we fear that it has. The silver lining is
Saltland ~ I Thought It Was Us But It Was All Of Us
Constellation Records is clearly very good to their artists, because they tend to stick around. Saltland‘s Rebecca Foon, a veteran of Esmerine, A Silver Mt. Zion and Set Fire to Flames, is no exception. The cellist’s new project continues a
Saltland ~ I Thought It Was Us But It Was All Of Us
Constellation Records is clearly very good to their artists, because they tend to stick around. Saltland‘s Rebecca Foon, a veteran of Esmerine, A Silver Mt. Zion and Set Fire to Flames, is no exception. The cellist’s new project continues a
a closer listen 