Author Archives: shredfearn
Anoice ~ Ghost in the Clocks
If the cover looks familiar, it’s because you’ve almost seen it before. When we reviewed the third record of Anoice, The Black Rain, Rich opened in praise of its beguiling cover art. Artist Yoko Shinto has returned to portray the
Anoice ~ Ghost in the Clocks
If the cover looks familiar, it’s because you’ve almost seen it before. When we reviewed the third record of Anoice, The Black Rain, Rich opened in praise of its beguiling cover art. Artist Yoko Shinto has returned to portray the
Shards ~ Find Sound
A musical acquaintance long ago opined that vocals and drums together was the purest form of music, each the most unmitigated expression, respectively, of melody and rhythm. This partnership alone is rarely found – perhaps because its purity is also
Shards ~ Find Sound
A musical acquaintance long ago opined that vocals and drums together was the purest form of music, each the most unmitigated expression, respectively, of melody and rhythm. This partnership alone is rarely found – perhaps because its purity is also
*Press A* ~ Outer Wilds; Sigma Theory: Global Cold War
Andrew Prahlow ~ Outer Wilds Soundtracking a game about space adventure and the end of the universe, Outer Wilds takes us on a journey that oscillates between the gently sublime and the faintly terrifying. These shifts occur both across the
*Press A* ~ Outer Wilds; Sigma Theory: Global Cold War
Andrew Prahlow ~ Outer Wilds Soundtracking a game about space adventure and the end of the universe, Outer Wilds takes us on a journey that oscillates between the gently sublime and the faintly terrifying. These shifts occur both across the
Ikarus ~ Mosaismic
Mosaismic is an angular cityscape wandered through on chilly spring mornings, its buildings vacant and squares ghostly. The geometric intersects with the organic in these spaces, as morning moves through day and people submit to their day’s purpose. Each individual
Ikarus ~ Mosaismic
Mosaismic is an angular cityscape wandered through on chilly spring mornings, its buildings vacant and squares ghostly. The geometric intersects with the organic in these spaces, as morning moves through day and people submit to their day’s purpose. Each individual
SaffronKeira ~ Automatism
A decade ago a Welsh man woke up in his camper van and strangled his wife of almost 40 years to death. After 10 months in prison on remand, he was cleared of murder and walked free. The man suffered
SaffronKeira ~ Automatism
A decade ago a Welsh man woke up in his camper van and strangled his wife of almost 40 years to death. After 10 months in prison on remand, he was cleared of murder and walked free. The man suffered
*Press A* ~ Anthem
Anyone with even a passing interest in videogames cannot have failed to have caught wind of Anthem, an online action RPG developed by the highly lauded BioWare and published by EA. Surpassing 80 minutes, its score is a grand orchestral
*Press A* ~ Anthem
Anyone with even a passing interest in videogames cannot have failed to have caught wind of Anthem, an online action RPG developed by the highly lauded BioWare and published by EA. Surpassing 80 minutes, its score is a grand orchestral
Daniel Thorne ~ Lines of Sight
Solo piano records are a dime a dozen, albums made entirely of cello are hardly rare, and even drum-only sets have featured on our pages. Experts of their chosen voice like to stretch it beyond convention and even recognition. Learning
Daniel Thorne ~ Lines of Sight
Solo piano records are a dime a dozen, albums made entirely of cello are hardly rare, and even drum-only sets have featured on our pages. Experts of their chosen voice like to stretch it beyond convention and even recognition. Learning
*Press A* ~ Tasty 2018 Leftovers: Gris
The curse of compiling annual lists of our favorite releases is that a few soundtracks are always released too late in the year for us to properly digest. We thus present the last of three albums that would have been
*Press A* ~ Tasty 2018 Leftovers: Gris
The curse of compiling annual lists of our favorite releases is that a few soundtracks are always released too late in the year for us to properly digest. We thus present the last of three albums that would have been
a closer listen 