Category Archives: Electronic

Pecking at Borders with Corvo Records

Corvo Records‘ mission is best expressed by the label’s animated logo: a black vinyl disc blinking beside a record player’s arm. As Corvo’s owner Wendelin Büchler explains, the icon shares the profile of a black-faced bird (in Italian, corvo means crow):

Pecking at Borders with Corvo Records

Corvo Records‘ mission is best expressed by the label’s animated logo: a black vinyl disc blinking beside a record player’s arm. As Corvo’s owner Wendelin Büchler explains, the icon shares the profile of a black-faced bird (in Italian, corvo means crow):

kutin | kindlinger ~ Decomposition IV: Variations on bulletproof glass

Three years have passed since Decomposition I-III, which in Hollywood is considered an appropriate span of time for a sequel.  Music sequels are different in that the stars may stay the same, but the settings and plots may morph beyond recognition.

kutin | kindlinger ~ Decomposition IV: Variations on bulletproof glass

Three years have passed since Decomposition I-III, which in Hollywood is considered an appropriate span of time for a sequel.  Music sequels are different in that the stars may stay the same, but the settings and plots may morph beyond recognition.

For Varying Degrees of Winter

The title is taken from Lawrence English’s classic winter album, released in 2007.  The music comes from across the globe: ten artists, ten countries, ten new releases, each attempting to put their stamp on the season before it melts away.

For Varying Degrees of Winter

The title is taken from Lawrence English’s classic winter album, released in 2007.  The music comes from across the globe: ten artists, ten countries, ten new releases, each attempting to put their stamp on the season before it melts away.

Nanook of the North ~ S/T

2018 has been a great year for new scores to old films. We’ve already heard such music from Bronnt Industries Kapital and múm, and now Nanook of the North gets into the action with their reimagined score to the 1922 film of the

Nanook of the North ~ S/T

2018 has been a great year for new scores to old films. We’ve already heard such music from Bronnt Industries Kapital and múm, and now Nanook of the North gets into the action with their reimagined score to the 1922 film of the

Mahdyar ~ Seized

The title Seized has a double meaning.  A decade ago, the young Iranian hip-hop artist Mahdyar ran afoul of the government and found himself blacklisted and in danger of arrest; he has since relocated to Paris.  To be seized is also to be caught

Mahdyar ~ Seized

The title Seized has a double meaning.  A decade ago, the young Iranian hip-hop artist Mahdyar ran afoul of the government and found himself blacklisted and in danger of arrest; he has since relocated to Paris.  To be seized is also to be caught

The Heartwood Institute ~ Secret Rites

“The morbid, black and often erotic world of the witch” – it’s an ear-catching statement that appears on an early track on Secret Rites, the latest release from Cumbria-based The Heartwood Institute. For a moment, it feels as if the

The Heartwood Institute ~ Secret Rites

“The morbid, black and often erotic world of the witch” – it’s an ear-catching statement that appears on an early track on Secret Rites, the latest release from Cumbria-based The Heartwood Institute. For a moment, it feels as if the

OOAME ~ Milanese Nwas

In one sense, Milanese Nwas is a throwback album, its sonic particles and glitched melodies reminiscent of the Apestaartje and intr.version labels of the late 90s and early oughts.  But while listening, one can also hear the influence of modern production values.

OOAME ~ Milanese Nwas

In one sense, Milanese Nwas is a throwback album, its sonic particles and glitched melodies reminiscent of the Apestaartje and intr.version labels of the late 90s and early oughts.  But while listening, one can also hear the influence of modern production values.

Brett Naucke ~ The Back of the Garden / The Mansion

When composers release multiple albums in a short frame, one worries that they are stretching their ideas too thin.  One way around this is to release sets that are so different in timbre one would never dream of putting them

Brett Naucke ~ The Back of the Garden / The Mansion

When composers release multiple albums in a short frame, one worries that they are stretching their ideas too thin.  One way around this is to release sets that are so different in timbre one would never dream of putting them