Category Archives: Experimental
Erik K. Skodvin ~ Flame
Four years after Flare comes Flame, a sequel of sorts from Deaf Center’s Erik K. Skodvin, also known as Svarte Greiner. Those familiar with the artist’s vast discography know to expect darkness, although the type of darkness varies with each moniker and each release.
Erik K. Skodvin ~ Flame
Four years after Flare comes Flame, a sequel of sorts from Deaf Center’s Erik K. Skodvin, also known as Svarte Greiner. Those familiar with the artist’s vast discography know to expect darkness, although the type of darkness varies with each moniker and each release.
V/A ~ Line Drawings
A line in the sand is meant to separate two items and to define them by their separation. The impetus for Line Drawings was to make a statement on behalf of experimental musicians: to separate the bland from the authentic. As the
V/A ~ Line Drawings
A line in the sand is meant to separate two items and to define them by their separation. The impetus for Line Drawings was to make a statement on behalf of experimental musicians: to separate the bland from the authentic. As the
Wolfgang Voigt, Paul Jebanasam & Dalhous at The Church of St John at Hackney
Out of the numerous concert venues I have been to in London since I moved here a little over a year and a half ago The Church of St John at Hackney has pretty quickly established itself as my favourite
Wolfgang Voigt, Paul Jebanasam & Dalhous at The Church of St John at Hackney
Out of the numerous concert venues I have been to in London since I moved here a little over a year and a half ago The Church of St John at Hackney has pretty quickly established itself as my favourite
Geins’t Naït + Laurent Petitgand ~ Je vous dis
When the work of a decades-old recording act still sounds potent, we know that we are in the presence of talent. The post-industrial sounds of Geins’t Naït are balanced here by the modern composition of Laurent Petitgand, to this date best known for his
Geins’t Naït + Laurent Petitgand ~ Je vous dis
When the work of a decades-old recording act still sounds potent, we know that we are in the presence of talent. The post-industrial sounds of Geins’t Naït are balanced here by the modern composition of Laurent Petitgand, to this date best known for his
death’s dynamic shroud.wmv ~ 世界大戦OLYMPICS
1978: the year that gave rise to the Dawn of the Dead. Vaporwave came to life a couple of years later when the 80’s and its glitzy, acidic colour scheme arrived on the scene. Tangerine synths rocked slowly to soft sunsets and
death’s dynamic shroud.wmv ~ 世界大戦OLYMPICS
1978: the year that gave rise to the Dawn of the Dead. Vaporwave came to life a couple of years later when the 80’s and its glitzy, acidic colour scheme arrived on the scene. Tangerine synths rocked slowly to soft sunsets and
Thomas Ankersmit ~ Figueroa Terrace
In our Spring Music Preview, we commented on the fact that Thomas Ankersmit and Valerio Tricoli followed up their Forma II collaboration by releasing albums on the same day. While both albums are experimental, Ankersmit concentrates on the electronic aspect of the production
Thomas Ankersmit ~ Figueroa Terrace
In our Spring Music Preview, we commented on the fact that Thomas Ankersmit and Valerio Tricoli followed up their Forma II collaboration by releasing albums on the same day. While both albums are experimental, Ankersmit concentrates on the electronic aspect of the production
Mitchel Davidovitz ~ Window of Normalization
According to Nielsen ratings, the average American watches 34 hours of television a week. This stunning statistic alone may explain the dulling of the nation’s competitive edge. It also explains the common feeling of not having enough free time; what little time
Mitchel Davidovitz ~ Window of Normalization
According to Nielsen ratings, the average American watches 34 hours of television a week. This stunning statistic alone may explain the dulling of the nation’s competitive edge. It also explains the common feeling of not having enough free time; what little time
Cliff Dweller ~ The Dream in Captivity
In a short period of time, Cliff Dweller (L.A.’s Ari Balouzian) has already developed a unique sound: a mélange of scratchy sample, dialogue, viola and drone that is unlike anything else on the market. While his influences are apparent (78s, vintage soundtracks,
Cliff Dweller ~ The Dream in Captivity
In a short period of time, Cliff Dweller (L.A.’s Ari Balouzian) has already developed a unique sound: a mélange of scratchy sample, dialogue, viola and drone that is unlike anything else on the market. While his influences are apparent (78s, vintage soundtracks,
a closer listen 