Category Archives: Field Recording & Soundscape
tarab ~ strata
tarab (Eamon Sprod) describes his work as “careful arrangements of sonic rubbish”, but on his new single-track work, strata, the description is literal. These sounds were all collected in abandoned industrial lots in Melbourne. Factories, storm drains and physical debris color the landscape
tarab ~ strata
tarab (Eamon Sprod) describes his work as “careful arrangements of sonic rubbish”, but on his new single-track work, strata, the description is literal. These sounds were all collected in abandoned industrial lots in Melbourne. Factories, storm drains and physical debris color the landscape
Rob St. John & Tommy Perman ~ Water of Life
Water of Life may be the evolution of field recordings. Presented in an enormously appealing package, the 45 is accompanied by letterpress artwork and a series of essays that address Edinburgh’s water flow. As the first edition of the larger Imagining
Rob St. John & Tommy Perman ~ Water of Life
Water of Life may be the evolution of field recordings. Presented in an enormously appealing package, the 45 is accompanied by letterpress artwork and a series of essays that address Edinburgh’s water flow. As the first edition of the larger Imagining
Radio Cegeste ~ The New Zealand Storm Petrel
We last encountered Radio Cegeste with 2012’s to orient themselves with coastlines, a collaboration with Lee Noyes that investigated hidden hisses and sub-level tones. The new work echoes that theme by bringing to light a species previously thought to be extinct. The New
Radio Cegeste ~ The New Zealand Storm Petrel
We last encountered Radio Cegeste with 2012’s to orient themselves with coastlines, a collaboration with Lee Noyes that investigated hidden hisses and sub-level tones. The new work echoes that theme by bringing to light a species previously thought to be extinct. The New
Seaworthy ~ The Rainbow Lorikeet
Looking for something to tweet about? The Birds of a Feather series has returned! (Sorry, couldn’t resist!) The latest pair of releases begins with Seaworthy‘s ode to the Rainbow Lorikeet, a curious, colorful and talkative parrot that was accidentally released
Seaworthy ~ The Rainbow Lorikeet
Looking for something to tweet about? The Birds of a Feather series has returned! (Sorry, couldn’t resist!) The latest pair of releases begins with Seaworthy‘s ode to the Rainbow Lorikeet, a curious, colorful and talkative parrot that was accidentally released
ACL 2013: Top Ten Field Recording & Soundscape
In compiling these field recordings, some artists traveled to distant lands, while others stayed at home. Some added instruments, others computer processing. Some of these releases are in love with certain places, but each one is in love with sound.
ACL 2013: Top Ten Field Recording & Soundscape
In compiling these field recordings, some artists traveled to distant lands, while others stayed at home. Some added instruments, others computer processing. Some of these releases are in love with certain places, but each one is in love with sound.
Old Bicycle Records ~ Sparkle in Grey, Nuno Moita/Matteo Uggeri, Stefano De Ponti, and Tape Crash # 6 & #7
Old Bicycle Records is a small label based in the small city of Piazzogna in the Italian canton of Switzerland, a relatively small region of an already small country. Nestled in the Alps, label founder Vasco Viviani is proud of
Old Bicycle Records ~ Sparkle in Grey, Nuno Moita/Matteo Uggeri, Stefano De Ponti, and Tape Crash # 6 & #7
Old Bicycle Records is a small label based in the small city of Piazzogna in the Italian canton of Switzerland, a relatively small region of an already small country. Nestled in the Alps, label founder Vasco Viviani is proud of
BJ Nilsen ~ Eye of the Microphone
Does a field recording have to sound like its subject in order to be authentic? BJ Nilsen ponders this question and concludes that “a pure field recording is not the most accurate representation of a place”. As an artist-in-residency in London, he
BJ Nilsen ~ Eye of the Microphone
Does a field recording have to sound like its subject in order to be authentic? BJ Nilsen ponders this question and concludes that “a pure field recording is not the most accurate representation of a place”. As an artist-in-residency in London, he
Tristan Louth-Robins ~ The Path Described
“It’s only recently that I have begun to recognize and appreciate the environment that I grew up (in) and its role in (my) development”, writes Tristan Louth-Robins, whose field recordings seek to preserve the memories of his youth. The statement is
Tristan Louth-Robins ~ The Path Described
“It’s only recently that I have begun to recognize and appreciate the environment that I grew up (in) and its role in (my) development”, writes Tristan Louth-Robins, whose field recordings seek to preserve the memories of his youth. The statement is
a closer listen 