Category Archives: Field Recording & Soundscape

Marc Behrens ~ Queendom Maybe Rise

It’s been a while since we’ve heard a new full-length work from Marc Behrens, so it’s great to hear him back in action.  Queendom Maybe Rise is an album of two pieces, one long enough to be an album of its own

Marc Behrens ~ Queendom Maybe Rise

It’s been a while since we’ve heard a new full-length work from Marc Behrens, so it’s great to hear him back in action.  Queendom Maybe Rise is an album of two pieces, one long enough to be an album of its own

Jérémie Mathes ~ Efequén

Jérémie Mathes is upfront regarding the nature of Efequén.  The album is not intended to be a “pure or realistic sound map”, but a series of impressions manipulated to create a blended work.  In this instance, the field recordings were made on

Jérémie Mathes ~ Efequén

Jérémie Mathes is upfront regarding the nature of Efequén.  The album is not intended to be a “pure or realistic sound map”, but a series of impressions manipulated to create a blended work.  In this instance, the field recordings were made on

David Vélez ~ Unseen Terror

Sound artist David Vélez recently wrote an editorial for The Field Reporter in which he addressed the nature of criticism as it pertains to sound art.  In Vélez’ own (unedited) words:  “I think of a model where artist concentrate in the formal and creative aspects and critics

David Vélez ~ Unseen Terror

Sound artist David Vélez recently wrote an editorial for The Field Reporter in which he addressed the nature of criticism as it pertains to sound art.  In Vélez’ own (unedited) words:  “I think of a model where artist concentrate in the formal and creative aspects and critics

Kate Carr ~ Landing Lights

Landing Lights is a diverse collection of tracks that share a common root: home.  Some of the tracks reflect leaving, others the distance traveled, and others the landing lights of return.  Thoughts of home travel with us wherever we go, a

Kate Carr ~ Landing Lights

Landing Lights is a diverse collection of tracks that share a common root: home.  Some of the tracks reflect leaving, others the distance traveled, and others the landing lights of return.  Thoughts of home travel with us wherever we go, a

Chubby Wolf ~ Seasick

It’s not clear how many sounds remain in the archive left behind by Dani Baquet-Long, but this is the best work I’ve heard by her yet, so there may be more to come.  Over the years, we’ve gotten used to

Chubby Wolf ~ Seasick

It’s not clear how many sounds remain in the archive left behind by Dani Baquet-Long, but this is the best work I’ve heard by her yet, so there may be more to come.  Over the years, we’ve gotten used to

Lyken ~ The Terrestrial Sea

Those who enjoyed The Folkestone Lighthouse EP will certainly enjoy The Terrestrial Sea, which is the sonic component of an installation in the Lighthouse Field Station of Cromarty.  In gathering these sounds, Mark Lyken traveled around the area, recording the sounds of ferries,

Lyken ~ The Terrestrial Sea

Those who enjoyed The Folkestone Lighthouse EP will certainly enjoy The Terrestrial Sea, which is the sonic component of an installation in the Lighthouse Field Station of Cromarty.  In gathering these sounds, Mark Lyken traveled around the area, recording the sounds of ferries,

Broken Chip ~ The Wonga Pigeon

Australia’s Broken Chip is a comrade of the Flaming Pines label, having appeared on several of their previous series. For the Birds of a Feather series he composed a highly subdued piece as on ode to the Wonga Pigeon, a

Broken Chip ~ The Wonga Pigeon

Australia’s Broken Chip is a comrade of the Flaming Pines label, having appeared on several of their previous series. For the Birds of a Feather series he composed a highly subdued piece as on ode to the Wonga Pigeon, a

Simon Whetham ~ The Phoenix

For the past year or so Simon Whetham has been traveling around the world performing and taking field recordings. His music is derived completely from field recordings, so he is a logical choice for Flaming Pines’ Birds of a Feather

Simon Whetham ~ The Phoenix

For the past year or so Simon Whetham has been traveling around the world performing and taking field recordings. His music is derived completely from field recordings, so he is a logical choice for Flaming Pines’ Birds of a Feather