The 40 Best Compilation Albums of All Time ~ Part Two
Welcome to the second half of our list, in which we survey the best compilations. We shall keep the introductory waffle to part one, but suffice to say – we have tried to be as comprehensive as possible for this
The 40 Best Compilation Albums of All Time ~ Part Two
Welcome to the second half of our list, in which we survey the best compilations. We shall keep the introductory waffle to part one, but suffice to say – we have tried to be as comprehensive as possible for this
The 40 Best Compilation Albums of All Time ~ Part One
You may not think of compilations with the same nostalgia that you treat the first record you bought in a shop. But there is a good chance that your first opportunity of experiencing music in a physical form, be it
The 40 Best Compilation Albums of All Time ~ Part One
You may not think of compilations with the same nostalgia that you treat the first record you bought in a shop. But there is a good chance that your first opportunity of experiencing music in a physical form, be it
Sarah Davachi ~ Two Sisters
Listening to Two Sisters is like going to church ~ not a modern church, or even a medieval church, but a church liberated from doctrine and dogma, where emotion and spirit are carried by notes and amplified by the spaces in-between.
Sarah Davachi ~ Two Sisters
Listening to Two Sisters is like going to church ~ not a modern church, or even a medieval church, but a church liberated from doctrine and dogma, where emotion and spirit are carried by notes and amplified by the spaces in-between.
Copenhagen Clarinet Choir ~ Organism
Groups of instrumentalists face a challenge that soloists do not, in that each member must constantly adapt and respond to the others’ pitch, tempo and timbre. Ensembles of varying natures have different ways of staying cohesive; an orchestra follows their
Copenhagen Clarinet Choir ~ Organism
Groups of instrumentalists face a challenge that soloists do not, in that each member must constantly adapt and respond to the others’ pitch, tempo and timbre. Ensembles of varying natures have different ways of staying cohesive; an orchestra follows their
Curha ~ 3
Here’s an album one can judge by its cover ~ even if one cannot predict the sound, one can predict the tone. Curtis Hasselbring (Curha) is having a (literal) blast, as the trombone is a major part of his timbre,
Curha ~ 3
Here’s an album one can judge by its cover ~ even if one cannot predict the sound, one can predict the tone. Curtis Hasselbring (Curha) is having a (literal) blast, as the trombone is a major part of his timbre,
Concretism ~ The Thetford Beast
North America has Bigfoot (or Sasquatch); Asia has the Yeti (or the Abominable Snowman); Norfolk has the Thetford Beast. Like its possible relatives, this seldom-spotted creature is about seven feet tall and hairy, resembling (depending on whom one might ask)
Concretism ~ The Thetford Beast
North America has Bigfoot (or Sasquatch); Asia has the Yeti (or the Abominable Snowman); Norfolk has the Thetford Beast. Like its possible relatives, this seldom-spotted creature is about seven feet tall and hairy, resembling (depending on whom one might ask)
Susie Ibarra and Tashi Dorji ~ Master of Time
Sometime in the 8th century, at the center of Lake Dhanakosha, an enlightened being emerged from a lotus blossom in the guise of an eight-year-old child. This was Padmasambhava, the Second Buddha, a legendary figure who is said to have
Susie Ibarra and Tashi Dorji ~ Master of Time
Sometime in the 8th century, at the center of Lake Dhanakosha, an enlightened being emerged from a lotus blossom in the guise of an eight-year-old child. This was Padmasambhava, the Second Buddha, a legendary figure who is said to have
Hekla ~ Xiuxiuejar
Few instruments are as affordable and versatile as the theremin, yet few people play it and fewer still play it well. Iceland’s Hekla has risen to the top of her field by matching the instrument with dark cello, crushing soundscapes and her
Hekla ~ Xiuxiuejar
Few instruments are as affordable and versatile as the theremin, yet few people play it and fewer still play it well. Iceland’s Hekla has risen to the top of her field by matching the instrument with dark cello, crushing soundscapes and her
a closer listen 