Simon Scott ~ Soundings
Where were you when Slowdive was formed back in 1989? NOT BORN YET?!! Thanks a lot, you’ve just made Simon Scott and I feel old. But there’s a huge difference between old and irrelevant and old and vital, and Scott lands firmly on the
Simon Scott ~ Soundings
Where were you when Slowdive was formed back in 1989? NOT BORN YET?!! Thanks a lot, you’ve just made Simon Scott and I feel old. But there’s a huge difference between old and irrelevant and old and vital, and Scott lands firmly on the
Teeth of the Sea ~ WRAITH
Ten years have passed since Orphaned by the Ocean, and Teeth of the Sea is still going strong. (Having formed in 2006, the band is now a teenager ~ look out, world!). So why don’t the musicians look happy? It’s partially due
Teeth of the Sea ~ WRAITH
Ten years have passed since Orphaned by the Ocean, and Teeth of the Sea is still going strong. (Having formed in 2006, the band is now a teenager ~ look out, world!). So why don’t the musicians look happy? It’s partially due
Snow Palms ~ Everything Ascending
Here’s a fun one, as Snow Palms returns with a new lineup and a new sound. At first, Snow Palms was a solo venture for mallet instrumentalist David Sheppard with friends; Origin and Echo made a big impact when it was released in
Snow Palms ~ Everything Ascending
Here’s a fun one, as Snow Palms returns with a new lineup and a new sound. At first, Snow Palms was a solo venture for mallet instrumentalist David Sheppard with friends; Origin and Echo made a big impact when it was released in
Kate Carr ~The Thing Itself and Not the Myth
The Thing Itself and Not the Myth alludes to a powerful poem by Adrienne Rich called “Diving into the Wreck”, which immerses the reader into the depths of exploratory self-transformation. Kate Carr has named each piece after lines and words
Kate Carr ~The Thing Itself and Not the Myth
The Thing Itself and Not the Myth alludes to a powerful poem by Adrienne Rich called “Diving into the Wreck”, which immerses the reader into the depths of exploratory self-transformation. Kate Carr has named each piece after lines and words
Trio Ramberget ~ Musik att somna till / Gleb Kanasevich ~ Asleep
Sleep and music have an intimately complex relationship. In the last few years, researchers have used music to improve sleep for various groups, from burn victims to PTSD patients; yet the nature of their restorative powers remains a scientific mystery.
Trio Ramberget ~ Musik att somna till / Gleb Kanasevich ~ Asleep
Sleep and music have an intimately complex relationship. In the last few years, researchers have used music to improve sleep for various groups, from burn victims to PTSD patients; yet the nature of their restorative powers remains a scientific mystery.
SP* Episode 1: (PRESENCE, or ) A METAPHYSICS OF ABSENCE – with Resina & Lea Bertucci [podcast]
Sound Propositions the podcast has the same mission statement as the written Sound Propositions features: to share in depth discussions with artists whose work we love, to delve into the details of their creative practice. The inaugural episode of our
SP* Episode 1: (PRESENCE, or ) A METAPHYSICS OF ABSENCE – with Resina & Lea Bertucci [podcast]
Sound Propositions the podcast has the same mission statement as the written Sound Propositions features: to share in depth discussions with artists whose work we love, to delve into the details of their creative practice. The inaugural episode of our
Piano Piano Listening Retreat in Basilicata, Italy
La Cosa Preziosa (Susanna Caprara) is an Italian sound artist based in Dublin, producing soundscapes for performance, radio, and installation. I can enthusiastically recommend her series ‘The Secret Soundscape Club’, miniature field-recording soundscapes sent by email, on the last day of
Piano Piano Listening Retreat in Basilicata, Italy
La Cosa Preziosa (Susanna Caprara) is an Italian sound artist based in Dublin, producing soundscapes for performance, radio, and installation. I can enthusiastically recommend her series ‘The Secret Soundscape Club’, miniature field-recording soundscapes sent by email, on the last day of
Anatole ~ Emulsion
One minute into Emulsion, something unexpected happens. After vibraphone, snare drum, and acoustic bass build alongside a lulling piano motif, a breakbeat groove slices through the arrangement. In its wake: a choppy piano loop and thumping, gridline percussion. Despite its early
Anatole ~ Emulsion
One minute into Emulsion, something unexpected happens. After vibraphone, snare drum, and acoustic bass build alongside a lulling piano motif, a breakbeat groove slices through the arrangement. In its wake: a choppy piano loop and thumping, gridline percussion. Despite its early
