Joseph Sannicandro ~ a sea without a port
Mexico City always comes up in talks about the largest human populations in the world, and it’s no wonder why – something like 22 million people sharing a common space does already sound like an outlandish 1950’s sci-fi projection of
Joseph Sannicandro ~ a sea without a port
Mexico City always comes up in talks about the largest human populations in the world, and it’s no wonder why – something like 22 million people sharing a common space does already sound like an outlandish 1950’s sci-fi projection of
Magda Mayas ~ Terrain
It’s impressive how Terrain juxtaposes two concepts together in aural form, the idea of something solid with that of something ephemeral, particularly since there’s only two instruments in play throughout the album, a piano and a clavinet. The collage continually
Magda Mayas ~ Terrain
It’s impressive how Terrain juxtaposes two concepts together in aural form, the idea of something solid with that of something ephemeral, particularly since there’s only two instruments in play throughout the album, a piano and a clavinet. The collage continually
Ennio Mazzon ~ Pavement Narrows
Sound artist Ennio Mazzon‘s full-length follow-up to Xuan is a different beast, one that shimmers like a spaceship instead of clanking like a factory floor. The drama remains intact, although the form has changed: a series of tracks in place of a single
Ennio Mazzon ~ Pavement Narrows
Sound artist Ennio Mazzon‘s full-length follow-up to Xuan is a different beast, one that shimmers like a spaceship instead of clanking like a factory floor. The drama remains intact, although the form has changed: a series of tracks in place of a single
Paul Jebanasam ~ Continuum
Ever since he started recording under his own name, Paul Jebanasam has been investigating the boundaries of the sacred, beginning with church music (2011’s Music for the Church of St. John the Baptist) and proceeding to something more tonally varied yet equally sacred
Paul Jebanasam ~ Continuum
Ever since he started recording under his own name, Paul Jebanasam has been investigating the boundaries of the sacred, beginning with church music (2011’s Music for the Church of St. John the Baptist) and proceeding to something more tonally varied yet equally sacred
Drombeg ~ Earthworks
Thom Brookes calls Earthworks “a soundtrack for the middle of nowhere,” but the sounds are better described as applicable to the entire earth. With references to the Bible and geology, it even manages to straddle the line between creationism and
Drombeg ~ Earthworks
Thom Brookes calls Earthworks “a soundtrack for the middle of nowhere,” but the sounds are better described as applicable to the entire earth. With references to the Bible and geology, it even manages to straddle the line between creationism and
Chemiefaserwerk ~ Trajet
Trajet (also known as blue eighteen) is the latest transmission from Blue Tapes, which has been quietly building a name for itself over the past few years with a small batch of quality releases. Meanwhile, it’s at least the tenth release (according to
Chemiefaserwerk ~ Trajet
Trajet (also known as blue eighteen) is the latest transmission from Blue Tapes, which has been quietly building a name for itself over the past few years with a small batch of quality releases. Meanwhile, it’s at least the tenth release (according to
Federico Durand ~ A Través del Espejo
Loops and lullabies cover the mattress of Federico Durand‘s A Través del Espejo (Through the Mirror). The title refers to mirrors that face one another, creating endless reflections; the music provides an aural version of this effect. If one were unaware of
Federico Durand ~ A Través del Espejo
Loops and lullabies cover the mattress of Federico Durand‘s A Través del Espejo (Through the Mirror). The title refers to mirrors that face one another, creating endless reflections; the music provides an aural version of this effect. If one were unaware of
Stephen O’Malley ~ Eternelle Idole
Eternelle Idole (‘Eternal Idol’) is the soundtrack composed by Stephen O’Malley for a choreographic piece of the same name created by artist Gisèle Vienne, and which involves an actor and an artistic ice-skater. I have yet to see the piece
Stephen O’Malley ~ Eternelle Idole
Eternelle Idole (‘Eternal Idol’) is the soundtrack composed by Stephen O’Malley for a choreographic piece of the same name created by artist Gisèle Vienne, and which involves an actor and an artistic ice-skater. I have yet to see the piece
a closer listen 