David Vélez ~ Unseen Terror
Sound artist David Vélez recently wrote an editorial for The Field Reporter in which he addressed the nature of criticism as it pertains to sound art. In Vélez’ own (unedited) words: “I think of a model where artist concentrate in the formal and creative aspects and critics
David Vélez ~ Unseen Terror
Sound artist David Vélez recently wrote an editorial for The Field Reporter in which he addressed the nature of criticism as it pertains to sound art. In Vélez’ own (unedited) words: “I think of a model where artist concentrate in the formal and creative aspects and critics
Kate Carr ~ Landing Lights
Landing Lights is a diverse collection of tracks that share a common root: home. Some of the tracks reflect leaving, others the distance traveled, and others the landing lights of return. Thoughts of home travel with us wherever we go, a
Kate Carr ~ Landing Lights
Landing Lights is a diverse collection of tracks that share a common root: home. Some of the tracks reflect leaving, others the distance traveled, and others the landing lights of return. Thoughts of home travel with us wherever we go, a
oh/ex/oh ~ Extant
Surfacing just above the eye-line, the ever-deep, always on transmission of Extant enters, calling you invitingly closer, nearer to heavens unseen. A slab of slow-burning drone penetrates the silence, and stays for the duration. A cosmic trance sets in; there is no
oh/ex/oh ~ Extant
Surfacing just above the eye-line, the ever-deep, always on transmission of Extant enters, calling you invitingly closer, nearer to heavens unseen. A slab of slow-burning drone penetrates the silence, and stays for the duration. A cosmic trance sets in; there is no
Josh Mason ~ The Symbiont
Josh Mason‘s new transparent record is a study in abeyance: two tracks, suspended in time, in no rush to go forward or back, aware that the needle is moving toward the end while pretending not to care. The music is
Josh Mason ~ The Symbiont
Josh Mason‘s new transparent record is a study in abeyance: two tracks, suspended in time, in no rush to go forward or back, aware that the needle is moving toward the end while pretending not to care. The music is
Sound Propositions 04: Steve Roden (part I)
a big circle drawn with little hands was created from a box of things sent to me by sylvain, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken
Sound Propositions 04: Steve Roden (part I)
a big circle drawn with little hands was created from a box of things sent to me by sylvain, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken
Melodia ~ Saudades
The Portuguese word saudade refers to an intense, continuing love for people who are no longer with us, whether they have left, died or disappeared. Lovers, friends, and victims of crime are all included in the extended definition. Brazil – the
Melodia ~ Saudades
The Portuguese word saudade refers to an intense, continuing love for people who are no longer with us, whether they have left, died or disappeared. Lovers, friends, and victims of crime are all included in the extended definition. Brazil – the
rotor plus ~ dust
Fans have been waiting a long time for this album. rotor plus (r+) began its trilogy in 2000 with alleron and continued it in 2004 with map key window. Much has happened since then, not only in history but in music; the world
rotor plus ~ dust
Fans have been waiting a long time for this album. rotor plus (r+) began its trilogy in 2000 with alleron and continued it in 2004 with map key window. Much has happened since then, not only in history but in music; the world
Linear Bells ~ ///
Sometimes there’s no disturbance like that of daydreams passing, forever awash into the streams of streets and cars, melting into power lines that draw a deeply psychological landscape into being. Ambient, as well-meaning as it is, often obviates these projections
Linear Bells ~ ///
Sometimes there’s no disturbance like that of daydreams passing, forever awash into the streams of streets and cars, melting into power lines that draw a deeply psychological landscape into being. Ambient, as well-meaning as it is, often obviates these projections