Posts Tagged: Chris Redfearn-Murray
Luke Howard Trio ~ The Shadow EP
In this unprecedented year, some things never change. In this case, it’s us reviewing a Luke Howard record ~ although despite this being their fourth release, we haven’t until now covered the trio that one of our favourite pianists fronts.
Luke Howard Trio ~ The Shadow EP
In this unprecedented year, some things never change. In this case, it’s us reviewing a Luke Howard record ~ although despite this being their fourth release, we haven’t until now covered the trio that one of our favourite pianists fronts.
Philipp Rumsch Ensemble ~ µ: of Anxiety x Discernment
This is a time of collective anxiety. This is a time of rejecting collective discernment. Death tallies ever rising beget social media scaremongering begets store shelves emptying. This is a time that needs discernment now more than ever, from those
Philipp Rumsch Ensemble ~ µ: of Anxiety x Discernment
This is a time of collective anxiety. This is a time of rejecting collective discernment. Death tallies ever rising beget social media scaremongering begets store shelves emptying. This is a time that needs discernment now more than ever, from those
*Press A* ~ Tasty 2019 Leftovers: Mutazione
The curse of compiling annual lists of our favorite releases is that a few soundtracks are always released too late in the year for us to properly digest. Over the next two days we present a couple of albums that
*Press A* ~ Tasty 2019 Leftovers: Mutazione
The curse of compiling annual lists of our favorite releases is that a few soundtracks are always released too late in the year for us to properly digest. Over the next two days we present a couple of albums that
Oliver Patrice Weder ~ OPW
Inspired by a trip from Rio de Janeiro to Valencia through countless other cities, OPW sounds itself like a journey rich in culture, varied of scene and laden with appreciation. It is emotional and thoughtful, yet colourful and celebratory. The
Oliver Patrice Weder ~ OPW
Inspired by a trip from Rio de Janeiro to Valencia through countless other cities, OPW sounds itself like a journey rich in culture, varied of scene and laden with appreciation. It is emotional and thoughtful, yet colourful and celebratory. The
*Press A* ~ Anodyne 2; Bleak Sword
Sean Han Tani ~ Anodyne 2: Return to Dust The world of Anodyne 2 as described by its soundtrack is an unthreatening one of pastel colours and whimsical encounters. It might even be a dreamworld, such is the haziness of
*Press A* ~ Anodyne 2; Bleak Sword
Sean Han Tani ~ Anodyne 2: Return to Dust The world of Anodyne 2 as described by its soundtrack is an unthreatening one of pastel colours and whimsical encounters. It might even be a dreamworld, such is the haziness of
Luke Howard ~ The Sand That Ate the Sea
‘All deserts have stories. All open lands and empty seas have songs that they alone sing late into the night.’ It’s not even three minutes, but watching “Salt Flats” makes my skin crawl like nothing else has managed to this
Luke Howard ~ The Sand That Ate the Sea
‘All deserts have stories. All open lands and empty seas have songs that they alone sing late into the night.’ It’s not even three minutes, but watching “Salt Flats” makes my skin crawl like nothing else has managed to this
Anoice ~ Ghost in the Clocks
If the cover looks familiar, it’s because you’ve almost seen it before. When we reviewed the third record of Anoice, The Black Rain, Rich opened in praise of its beguiling cover art. Artist Yoko Shinto has returned to portray the
Anoice ~ Ghost in the Clocks
If the cover looks familiar, it’s because you’ve almost seen it before. When we reviewed the third record of Anoice, The Black Rain, Rich opened in praise of its beguiling cover art. Artist Yoko Shinto has returned to portray the
Shards ~ Find Sound
A musical acquaintance long ago opined that vocals and drums together was the purest form of music, each the most unmitigated expression, respectively, of melody and rhythm. This partnership alone is rarely found – perhaps because its purity is also
Shards ~ Find Sound
A musical acquaintance long ago opined that vocals and drums together was the purest form of music, each the most unmitigated expression, respectively, of melody and rhythm. This partnership alone is rarely found – perhaps because its purity is also
a closer listen 