Posts Tagged: david murrieta
Diego Lozano ~ Scopes
Scopes is a work of interactions and articulations, of a subconscious dialectic between feeling and perception, the manners in which sounds occupy the head and blaze new spaces of consciousness. Created by young Mexican composer Diego Lozano and played by
Diego Lozano ~ Scopes
Scopes is a work of interactions and articulations, of a subconscious dialectic between feeling and perception, the manners in which sounds occupy the head and blaze new spaces of consciousness. Created by young Mexican composer Diego Lozano and played by
The Bug vs. Earth ~ Concrete Desert
Inspired by JG Ballard’s writings, Concrete Desert does feel like one more nail in the coffin of the architectural dreams of mid-20th century modernism, if only because it sounds like vast, empty spaces lifelessly baked by the sun, that ancient
The Bug vs. Earth ~ Concrete Desert
Inspired by JG Ballard’s writings, Concrete Desert does feel like one more nail in the coffin of the architectural dreams of mid-20th century modernism, if only because it sounds like vast, empty spaces lifelessly baked by the sun, that ancient
Sult / Lasse Marhaug ~ Harpoon
Thanks, perhaps, to Melville’s Moby-Dick, the Harpoon easily elicits images of open sea hunting and a grand existential confrontation with nature made strange by the roar of storms and the inhuman scales of oceans. The improv trio Sult and extreme
Sult / Lasse Marhaug ~ Harpoon
Thanks, perhaps, to Melville’s Moby-Dick, the Harpoon easily elicits images of open sea hunting and a grand existential confrontation with nature made strange by the roar of storms and the inhuman scales of oceans. The improv trio Sult and extreme
Skullflower ~ The Spirals of Great Harm
One of the commonplaces of noise is that of excess, and one of the paths such a concept opens up and which is not often explored is that of the wealth implied in an overabundance of sonic material. The Spirals
Skullflower ~ The Spirals of Great Harm
One of the commonplaces of noise is that of excess, and one of the paths such a concept opens up and which is not often explored is that of the wealth implied in an overabundance of sonic material. The Spirals
The McCormick Percussion Ensemble ~ Marimba Concerti with Percussion Orchestra
The marimba, an African-origins instrument typical of Central America (it’s the ‘national instrument’ of Guatemala) was introduced to the classical world by European modernists in the first half of the 20th century as a function of a brand of shocking
The McCormick Percussion Ensemble ~ Marimba Concerti with Percussion Orchestra
The marimba, an African-origins instrument typical of Central America (it’s the ‘national instrument’ of Guatemala) was introduced to the classical world by European modernists in the first half of the 20th century as a function of a brand of shocking
Keiji Haino / Jozef Dumoulin / Teun Verbruggen ~ The Miracles of Only One Thing
With an arcane name typical of Keiji Haino works, this collaboration involving Belgian improvisers Jozef Dumoulin (Fender Rhodes & electronics) and Teun Verbruggen (drums & electronics) draws together live and studio cuts that help create a sense of visceral, yet
Keiji Haino / Jozef Dumoulin / Teun Verbruggen ~ The Miracles of Only One Thing
With an arcane name typical of Keiji Haino works, this collaboration involving Belgian improvisers Jozef Dumoulin (Fender Rhodes & electronics) and Teun Verbruggen (drums & electronics) draws together live and studio cuts that help create a sense of visceral, yet
Harry Bertoia ~ Clear Sounds/Perfetta
There’s a marked element in the design schools born from the Arts & Crafts movements of the late 19th century that actively seeks to harmonize the natural with the artificial, and which is easily seen in the kinds of furniture
Harry Bertoia ~ Clear Sounds/Perfetta
There’s a marked element in the design schools born from the Arts & Crafts movements of the late 19th century that actively seeks to harmonize the natural with the artificial, and which is easily seen in the kinds of furniture
Rutger Zuydervelt ~ Astroneer OST
A sense of naïve wonder. A sentimental poetic that reflects upon discovery, whether of new spaces or perhaps even new sensations, as the vantage-point of an adventurous imagination. The music of the ‘last frontier’ that is found among the stars
Rutger Zuydervelt ~ Astroneer OST
A sense of naïve wonder. A sentimental poetic that reflects upon discovery, whether of new spaces or perhaps even new sensations, as the vantage-point of an adventurous imagination. The music of the ‘last frontier’ that is found among the stars
