Posts Tagged: david murrieta
Stephen O’Malley ~ Eternelle Idole
Eternelle Idole (‘Eternal Idol’) is the soundtrack composed by Stephen O’Malley for a choreographic piece of the same name created by artist Gisèle Vienne, and which involves an actor and an artistic ice-skater. I have yet to see the piece
Stephen O’Malley ~ Eternelle Idole
Eternelle Idole (‘Eternal Idol’) is the soundtrack composed by Stephen O’Malley for a choreographic piece of the same name created by artist Gisèle Vienne, and which involves an actor and an artistic ice-skater. I have yet to see the piece
Lubomyr Melnyk ~ Rivers and Streams
Ever since exploding into the modern composition landscape a couple years ago, Lubomyr Melnyk has justly found quite a wide audience, primed not only by revisiting minimalism at its most pop (who hasn’t, by now, heard at least one Philip
Lubomyr Melnyk ~ Rivers and Streams
Ever since exploding into the modern composition landscape a couple years ago, Lubomyr Melnyk has justly found quite a wide audience, primed not only by revisiting minimalism at its most pop (who hasn’t, by now, heard at least one Philip
The Necks ~ Vertigo
Low drones, high-pitched buzzes fading in and out, seemingly meandering piano and percussions – Vertigo seems to try its best to represent a bodily affection, a perceptual disruption that denies the sufferer respite even after having closed the eyes. The
The Necks ~ Vertigo
Low drones, high-pitched buzzes fading in and out, seemingly meandering piano and percussions – Vertigo seems to try its best to represent a bodily affection, a perceptual disruption that denies the sufferer respite even after having closed the eyes. The
Metzengerstein ~ Alchemy to Our Days
The connection between the psychedelic and the mystical is at this point traditional, since in pop music, at least, it has been explored time and again since the 1960s in many different ways, leading through very distinct sounds, from the
Metzengerstein ~ Alchemy to Our Days
The connection between the psychedelic and the mystical is at this point traditional, since in pop music, at least, it has been explored time and again since the 1960s in many different ways, leading through very distinct sounds, from the
Lars Graugaard ~ Venus
Among the various strategies against the concept of representation in music (whether it stems from a semiotic or a non-textual framework) that the avant-garde has deployed we can find the ‘scientific’ approach. Best exemplified by many mid-century U.S. electronic musicians
Lars Graugaard ~ Venus
Among the various strategies against the concept of representation in music (whether it stems from a semiotic or a non-textual framework) that the avant-garde has deployed we can find the ‘scientific’ approach. Best exemplified by many mid-century U.S. electronic musicians
Red Light New Music ~ Barbary Coast
In many ways, Barbary Coast reminds me of the times when classical music halls produced brawls and minor scandals. This is not to say that you’ll stand up and punch your audio player of choice, demanding for it to act
Red Light New Music ~ Barbary Coast
In many ways, Barbary Coast reminds me of the times when classical music halls produced brawls and minor scandals. This is not to say that you’ll stand up and punch your audio player of choice, demanding for it to act
Johnny Kafta Anti-Vegetarian Orchestra ~ S/T
Johnny Kafta Anti-Vegetarian Orchestra is a band from Lebanon that was born from the coming together of a free improv collective and a punk group, the result being a merger not so much of styles but of humors. The irreverence
Johnny Kafta Anti-Vegetarian Orchestra ~ S/T
Johnny Kafta Anti-Vegetarian Orchestra is a band from Lebanon that was born from the coming together of a free improv collective and a punk group, the result being a merger not so much of styles but of humors. The irreverence
Masayoshi Fujita ~ Apologues
The cover art for Apologues works upon an intriguing mirroring that makes the frottage-like forms look as if they were a landscape in which a forest stands over a lake. It is a sort of distillation of the natural into
Masayoshi Fujita ~ Apologues
The cover art for Apologues works upon an intriguing mirroring that makes the frottage-like forms look as if they were a landscape in which a forest stands over a lake. It is a sort of distillation of the natural into
a closer listen 