Posts Tagged: Miasmah
ACL 2012: Top Ten Experimental
Many artists claim to be experimental, simply since they experiment; but this does not make them experimental artists. In order to be placed in this category, an artist must be wildly improvisational, incredibly creative, or straight out hard to define.
ACL 2012: Top Ten Experimental
Many artists claim to be experimental, simply since they experiment; but this does not make them experimental artists. In order to be placed in this category, an artist must be wildly improvisational, incredibly creative, or straight out hard to define.
Kreng ~ Works for Abattoir Fermé 2007-2011
Every once in a relatively long while, one comes by an artist that proves life changing, an artist that blows a lot of what one has encountered before and a lot of those one would come to cross paths with
Kreng ~ Works for Abattoir Fermé 2007-2011
Every once in a relatively long while, one comes by an artist that proves life changing, an artist that blows a lot of what one has encountered before and a lot of those one would come to cross paths with
Gabriel Saloman ~ Adhere
A monthly feature in The Wire asks guests to listen to and attempt to identify anonymous music. Most of the guests are semi-successful. If the idea were expanded to labels, then Miasmah would be an easy mark. The label has developed a
Gabriel Saloman ~ Adhere
A monthly feature in The Wire asks guests to listen to and attempt to identify anonymous music. Most of the guests are semi-successful. If the idea were expanded to labels, then Miasmah would be an easy mark. The label has developed a
Gareth Davis & Frances-Marie Uitti ~ Gramercy
How can musicians move music forward? By inventing new instruments – a tricky proposition – or learning to play old instruments in new ways. Gareth Davis & Frances-Marie Uitti take the latter path on Gramercy. Davis is billed as a “clarinet abuser”,
Gareth Davis & Frances-Marie Uitti ~ Gramercy
How can musicians move music forward? By inventing new instruments – a tricky proposition – or learning to play old instruments in new ways. Gareth Davis & Frances-Marie Uitti take the latter path on Gramercy. Davis is billed as a “clarinet abuser”,
Gultskra Artikler ~ Abtu/Anet
When covering a group who once recorded an album about a magical flying ax, one expects to find the unusual. Abtu/Anet is just that, a mixture of the beautiful, the ugly, the meandering and the odd. Abtu first appeared five
Gultskra Artikler ~ Abtu/Anet
When covering a group who once recorded an album about a magical flying ax, one expects to find the unusual. Abtu/Anet is just that, a mixture of the beautiful, the ugly, the meandering and the odd. Abtu first appeared five