Posts Tagged: No. 2
A Closer Listen’s Best Modern Composition Albums of the Decade
How does one decide between piano and orchestra, between the lugubrious and buoyant? The modern composition genre offers a wide range of timbres and emotions, and is the only genre we cover that is also recognized by the major music
A Closer Listen’s Best Modern Composition Albums of the Decade
How does one decide between piano and orchestra, between the lugubrious and buoyant? The modern composition genre offers a wide range of timbres and emotions, and is the only genre we cover that is also recognized by the major music
ACL 2014: Top Ten Modern Composition
Listening again to these albums, we’re reminded of the aching beauty that graces modern composition. From “Atomos VII” to “going backwards to recover what was left behind”, from “The Musk Ox” to “pino” to “you are not alone, dear wolf”,
ACL 2014: Top Ten Modern Composition
Listening again to these albums, we’re reminded of the aching beauty that graces modern composition. From “Atomos VII” to “going backwards to recover what was left behind”, from “The Musk Ox” to “pino” to “you are not alone, dear wolf”,
Christina Vantzou ~ No. 2
Listening again to Christina Vantzou‘s No. 1 (2011), I’m reminded again of how lovely the Dead Texan’s work has been all along, from the gossamer beauty of “Homemade Mountains” to the string-laden centre of “Super Interlude Part 2”. Comparisons to A Winged Victory
Christina Vantzou ~ No. 2
Listening again to Christina Vantzou‘s No. 1 (2011), I’m reminded again of how lovely the Dead Texan’s work has been all along, from the gossamer beauty of “Homemade Mountains” to the string-laden centre of “Super Interlude Part 2”. Comparisons to A Winged Victory
a closer listen 