Posts Tagged: Richard Allen
Ricardo Donoso ~ Quintessence
Ricardo Donoso has established a sublime symbiotic relationship with Denovali. After the success of Saravá Exu and Machine to Machine, the label rewarded his talent with a compilation of early works and a remix set. Now the artist has returned with
Ricardo Donoso ~ Quintessence
Ricardo Donoso has established a sublime symbiotic relationship with Denovali. After the success of Saravá Exu and Machine to Machine, the label rewarded his talent with a compilation of early works and a remix set. Now the artist has returned with
okamotonoriaki ~ Happy Ending
okamotonoriaki is no longer a solo affair, as the Tokyo-based composer has invited some of his friends (Cuushe, Flica, Polar M and Chihei Hatakeyama) to contribute to his Happy Ending. The album exists in a liminal state between ambient and electronic: bouncy
okamotonoriaki ~ Happy Ending
okamotonoriaki is no longer a solo affair, as the Tokyo-based composer has invited some of his friends (Cuushe, Flica, Polar M and Chihei Hatakeyama) to contribute to his Happy Ending. The album exists in a liminal state between ambient and electronic: bouncy
Francesco Giannico & Guilio Aldinucci ~ Agoraphonia
The public square is a place for gathering, for conversation, for the reading and dissemination of literature, for food carts and chess boards, for playful recreation and for protest. Marked by monuments, the square is not only a microcosm, but
Francesco Giannico & Guilio Aldinucci ~ Agoraphonia
The public square is a place for gathering, for conversation, for the reading and dissemination of literature, for food carts and chess boards, for playful recreation and for protest. Marked by monuments, the square is not only a microcosm, but
The Void* ~ Values
Values is the album so big, it took three labels to release it: Netherlands co-conspirators Lomechanik, Shipwrec and Esc.recs. The sound is similarly large, as it crosses between genres like ships through the wormholes of its die cut cover. The predominant
The Void* ~ Values
Values is the album so big, it took three labels to release it: Netherlands co-conspirators Lomechanik, Shipwrec and Esc.recs. The sound is similarly large, as it crosses between genres like ships through the wormholes of its die cut cover. The predominant
Lawrence English ~ Approaching Nothing
It’s almost impossible to comprehend the initial reactions to Luc Ferrari’s Presque Rien n° 1, the piece that inspires Lawrence English‘s Approaching Nothing. A 2013 article in Brainwashed explains that Ferrari’s edited/juxtaposed field recording was once considered controversial, managing to offend the musique
Lawrence English ~ Approaching Nothing
It’s almost impossible to comprehend the initial reactions to Luc Ferrari’s Presque Rien n° 1, the piece that inspires Lawrence English‘s Approaching Nothing. A 2013 article in Brainwashed explains that Ferrari’s edited/juxtaposed field recording was once considered controversial, managing to offend the musique
Lo Tide ~ Closed to Listening
The title of Lo Tide‘s new EP, Closed to Listening, seems the direct opposite of our site’s name. And yet the title is likely meant in an ironic way, as the EP is noticeably open to new electronic styles. The set follows on
Lo Tide ~ Closed to Listening
The title of Lo Tide‘s new EP, Closed to Listening, seems the direct opposite of our site’s name. And yet the title is likely meant in an ironic way, as the EP is noticeably open to new electronic styles. The set follows on
Various Artists ~ Eleven Into Fifteen
For years, Fatcat imprint 130701 had been releasing some of our all-time favorite albums, including Max Richter‘s The Blue Notebooks, Dustin O’Halloran‘s Lumiere and Jóhann Jóhannsson‘s The Miners’ Hymns. Then the label went dark for three years, and we feared it had been lost. Fortunately, the imprint resurfaced
Various Artists ~ Eleven Into Fifteen
For years, Fatcat imprint 130701 had been releasing some of our all-time favorite albums, including Max Richter‘s The Blue Notebooks, Dustin O’Halloran‘s Lumiere and Jóhann Jóhannsson‘s The Miners’ Hymns. Then the label went dark for three years, and we feared it had been lost. Fortunately, the imprint resurfaced
Territoire ~ Confess
As mass-market recordings continue to disappear, small-run editions have become the norm. But the most limited edition is an edition of one. That’s what Territoire offers with Confess. Each version is different, randomly generated from an In-sonora installation, providing endless possibilities while making
Territoire ~ Confess
As mass-market recordings continue to disappear, small-run editions have become the norm. But the most limited edition is an edition of one. That’s what Territoire offers with Confess. Each version is different, randomly generated from an In-sonora installation, providing endless possibilities while making
